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BURRO’S TORTILLAS

Those looking for a Southwestern or Mexican variant of The Little Red Hen will find it here. Burro, dressed in overalls and a chile-bedecked shirt, calls his friends to help him pick the corn to make tortillas: “Whinee aw ah aw. Mis amigos—vengan aquí.” Bobcat, coyote and jackrabbit in turn respond, “Yo no,” and add punning explanations. “I’ve really got to hop along,” says the jackrabbit. The silly illustrations are bland, but the corny text moves briskly. The main interest is in the cultural variation on the traditional story, and the demonstration of the process of making tortillas. An appendix contains information on corn, a recipe for tortillas and a Spanish-English vocabulary page with space to write (which could be a problem for libraries, although instructions for downloading the worksheets are also included). “Yo,” as the jackrabbit says, “Hare’s looking at you, let’s eat!” (Picture book. 4-7)

Pub Date: June 1, 2007

ISBN: 978-0-9768823-9-8

Page Count: 32

Publisher: Sylvan Dell

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2007

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I AM GOLDEN

A shining affirmation of Chinese American identity.

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An immigrant couple’s empowering love letter to their child.

Baby Mei rests in her parents’ embrace, flanked by Chinese architecture on one side and the New York skyline on the other. She will be a bridge across the “oceans and worlds and cultures” that separate her parents from their homeland, China. Mei—a Chinese word which means beautiful—shares a name with her family’s new home: Měi Guó (America). Her parents acknowledge the hypocrisy of xenophobia: “It’s a strange world we live in—people will call you different with one breath and then say that we all look the same with the next angry breath.” Mei will have the responsibility of being “teacher and translator” to her parents. They might not be able to completely shield her from racism, othering, and the pressures of assimilation, but they can reassure and empower her—and they do. Mei and young readers are encouraged to rely on the “golden flame” of strength, power, and hope they carry within them. The second-person narration adds intimacy to the lyrical text. Diao’s lovely digital artwork works in tandem with Chen’s rich textual imagery to celebrate Chinese culture, family history, and language. The illustrations incorporate touchstones of Chinese mythology and art—a majestic dragon, a phoenix, and lotus flowers—as well as family photographs. One double-page spread depicts a lineup of notable Chinese Americans. In the backmatter, Chen and Diao relay their own family stories of immigration. (This book was reviewed digitally.)

A shining affirmation of Chinese American identity. (Picture book. 4-6)

Pub Date: Feb. 1, 2022

ISBN: 978-1-250-84205-3

Page Count: 40

Publisher: Feiwel & Friends

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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FORTY THE FORTUNE TELLER

Comprehension sacrificed in the name of goofiness.

An epic quest to save the day begins with an unlikely hero.

A folded paper fortune teller game discovers that she’s been abandoned on the school playground before anyone got a chance to use her. After she meets up with a partially eaten chip named (you guessed it) Chip, the two set off to return an errant bolt to a slide’s ladder. Along the way, they encounter various foes—a squirrel, a basketball, a cloud—each of whom is defeated as Forty tells them a ridiculous fortune (“Your bottom will turn into balloons and you will float away!”) that inexplicably becomes true. By the end, it’s clear that “Forty” doesn’t stand for “Fortune Teller” but for “Fortitude,” and the tale concludes with a tacked-on message about how everyone can write their own fortunes. Frankly, it doesn’t make a whole lot of sense. Throughout, Daywalt throws a wide variety of ideas onto the page with only the most tenuous strings of connection keeping the story together. Thematically, the book resembles his The Legend of Rock, Paper, Scissors (2017), illustrated by Adam Rex, yet it lacks that work’s cohesive and comprehensible storytelling, raising more questions than it answers. Cornell’s lively, comic book–style art tries in vain to wrestle Daywalt’s writing into some semblance of order.

Comprehension sacrificed in the name of goofiness. (Picture book. 4-7)

Pub Date: Feb. 24, 2026

ISBN: 9780593691465

Page Count: 32

Publisher: Philomel

Review Posted Online: Oct. 25, 2025

Kirkus Reviews Issue: Dec. 1, 2025

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