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INVISIBLE EMMIE

Classic middle school themes come alive, but they fail to really go anywhere

One bad day in seventh grade can feel like a lifetime. However, even end-of-the-world–level heartache can have surprising and comic consequences.

Emmie’s story is part of the growing subgenre that hybridizes the middle-grade and graphic novel. With doodle-illustrated prose chapters depicting Emmie’s world and entire comics-style sections depicting the popular Kate, Libenson takes readers inside the halls of middle school with the same nod to weirdness and eye-rolling angst as such format standards as Diary of a Wimpy Kid and Dork Diaries. Emmie is a painfully shy girl who is forced to see and be seen one fateful day when a playful game with best friend Brianna turns into a nightmare. Libenson uses two different illustration styles to distinguish between Emmie, the soft-spoken wallflower, and Kate, the outgoing girl of fabulousness. An artist using her doodles to illustrate the seventh-grade world, Emmie sees herself as someone with no voice, while the enigmatic, charismatic Kate is full of confidence and determined to push Emmie out of her comfort zone. Though readers may be puzzled by the device initially, Libenson’s rationale for the dual portrayals becomes clear in the end. However, the repetition of Emmie’s description as quiet, shy, and disenfranchised becomes as grating as a nasal whine. Both Emmie and Kate appear to be white, but school scenes reveal multiethnic classmates.

Classic middle school themes come alive, but they fail to really go anywhere . (Graphic/fiction hybrid. 8-12)

Pub Date: May 2, 2017

ISBN: 978-0-06-248494-9

Page Count: 192

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Feb. 13, 2017

Kirkus Reviews Issue: March 1, 2017

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WRECKING BALL

From the Diary of a Wimpy Kid series , Vol. 14

Readers can still rely on this series to bring laughs.

The Heffley family’s house undergoes a disastrous attempt at home improvement.

When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.

Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)

Pub Date: Nov. 5, 2019

ISBN: 978-1-4197-3903-3

Page Count: 224

Publisher: Amulet/Abrams

Review Posted Online: Nov. 18, 2019

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HOT MESS

From the Diary of a Wimpy Kid series , Vol. 19

An entertaining take on family values, Wimpy Kid style.

A summer vacation turns out to be anything but relaxing for Greg and a teeming horde of Heffleys.

Gramma declines the offer of a grand birthday celebration, saying that “what would make her REALLY happy is if everyone else went to Ruttyneck Island”—though she prepares individual packs of her legendary meatballs. (“You knew exactly how much Gramma likes you by how many meatballs you got.”) A gaggle of Heffley relatives and a dog stuff themselves into a small beach house, where overcrowding, personality conflicts, and simmering resentments become just some of the ingredients in a rolling boil of sitcom-style catastrophes, not to mention questionable decisions ranging from leaving the kids to make dinner unsupervised to labeling a cooler “HUMAN ORGANS” to keep random passersby from helping themselves. As usual, Greg supplies the setups in poker-faced journal entries interspersed with black-and-white drawings of slouched figures bearing frowny expressions of dismay or annoyance to cue the laffs. Gramma, it eventually turns out, not only (unsurprisingly) has plans of her own, but is also keeping a shocking secret about those meatballs. To go with the knee-slapping set pieces, Kinney slips in a tasty bit of family lore about how Greg’s parents met, plus droll takes on such low-hanging comedy fruit as restaurant manners, viciously competitive board games, and social media influencers (Greg being one, albeit with zero followers, and his Aunt Veronica’s little dog being another, with 3.8 million).

An entertaining take on family values, Wimpy Kid style. (Graphic/fiction hybrid. 8-12)

Pub Date: Oct. 22, 2024

ISBN: 9781419766954

Page Count: 224

Publisher: Amulet/Abrams

Review Posted Online: Oct. 22, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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