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NARROW DOG TO CARCASSONNE

Some entertaining moments amid the tedium, but best saved for a reader’s retirement years, either as inspiration or to fill...

A retired British couple takes their canal boat on a cross-Channel expedition.

When some pesky person asked why the author and wife Monica had abandoned the quiet pensioners’ life and taken to the waterways, Darlington explained it as “an adventure before it’s too late. They say at our age you are at the end of vigour.” This became something of a running joke during their travels, since this lively pair was obviously far from decrepit. After all, they were adventurous enough to accept a friend’s booze-soaked challenge to sail through England and across the Channel to France, then wind their way to Carcassonne in their 60-foot by 7-foot narrowboat, “a preposterous shape” for attempting this never-accomplished feat of seamanship. As company, they took along their trusty whippet Jim, “a dog that hates boating.” Though the setup seems to promise a lighthearted travelogue, and Darlington does occasionally display a bracing, dry wit, their journey was often colored by bleak memories of the destruction and suffering the author witnessed as a child during World War II. In one the most moving instances of emotionally charged reminiscence, Darlington felt the presence of his long-dead father and longed “to press my face against his rough air-force trousers, and smell the tobacco and feel his hands on my head.” Unfortunately, those moments of luminosity are rare in a text more notable for overblown vacation babble, long-winded stories, grand overstatement and pompous bombast—plus some daunting British slang impenetrable to all but the most seasoned Anglophile. Boat enthusiasts will appreciate the insider terminology about locks and dock life, however, and Darlington’s gentle swipes at the French (whom he quite likes) are mildly amusing.

Some entertaining moments amid the tedium, but best saved for a reader’s retirement years, either as inspiration or to fill a lot of spare time.

Pub Date: April 1, 2008

ISBN: 978-0-385-34208-7

Page Count: 336

Publisher: Delta

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2008

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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