by Terry Eagleton ‧ RELEASE DATE: March 25, 2014
Now that the West is colliding with a resurgent Islam for which God is very much alive, Eagleton’s insights are particularly...
"Atheism is by no means as easy as it looks," insists prolific author Eagleton (Literature/Univ. of Lancaster; Across the Pond: An Englishman's View of America, 2013, etc.).
Since the Enlightenment, philosophers have attempted to displace the perceived superstitions of religion as a basis for Western civilization and to replace them with secular reason, with limited success. In this rich, complex work, the author traces the course of this intellectual quest from 18th-century Germany through the Romantics and the writings of Matthew Arnold and Friedrich Nietzsche, who famously proclaimed the death of God, into a postmodern era of extreme relativism. One recurring problem has been the difficulty of translating academic theory into a viable popular culture, or as Eagleton puts it, "[n]o symbolic form in history has matched religion's ability to link the most exalted of truths to the daily existence of countless men and women." Consequently, "[r]eason must stoop to myth and image if it is to address the masses, but how is this not to be the ruin of it?" Another problem is the tendency of attempted surrogates for religion, such as nationalism, to take on mystical attributes, rites, saints and martyrs, indistinguishable from the characteristics of religion itself—the Almighty manages to return by the back door. Eagleton deftly explores the shifting relationships among reason, religion, culture, myth, art, tragedy and the modern sensibility of the absurd, all expressed with a dry wit and provocative epigrams. The book, however, is neither intended nor recommended for general readers. This wealth of content can only be contained in a slender volume by assuming that readers are already familiar with philosophers from Kant to Kierkegaard; without this background, it will prove slow going, though still rewarding.
Now that the West is colliding with a resurgent Islam for which God is very much alive, Eagleton’s insights are particularly timely.Pub Date: March 25, 2014
ISBN: 978-0-300-20399-8
Page Count: 240
Publisher: Yale Univ.
Review Posted Online: Feb. 18, 2014
Kirkus Reviews Issue: March 1, 2014
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by Timothy Paul Jones ‧ RELEASE DATE: Sept. 1, 2005
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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