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BENCHMARKS

GREAT CONSTITUTIONAL CONTROVERSIES IN THE SUPREME COURT

An erudite collection of essays, organized with an impressive internal logic by Eastland (Energy in the Executive, not reviewed), in which seven influential young constitutional scholars review some of the Supreme Court's most important decisions. The Constitution both represents and guarantees the protection of individual freedoms and liberties built into this nation's vision of itself. What these essays make eminently clear is that definitions of freedoms and rights vary (after all, the notion of individual rights had to be amended into the Constitution with the Bill of Rights), and that language, especially that of a binding document, can be incredibly fluid. The courts play a somewhat special role in this country. Reliance on legal precedent means that many of the most important and controversial political decisions—from Plessy v. Ferguson, which upheld the notion of ``separate but equal'' in race segregation, to Brown v. Board of Education, which overturned it—are made or ratified in the Supreme Court. The contributors here look at the judicial and legal philosophies behind such important decisions. ACLU head Nadine Strossen defends the legally precarious right of privacy that was used to constitutionalize a woman's right to an abortion, while Amherst College professor of jurisprudence Hadley Arkes defines privacy in a way that would justify largely repudiated decisions glorifying freedom of contract over all others. Yale law professor Akhil Reed Amar defends the ``incorporation'' of the Bill of Rights through the 14th Amendment (making it applicable to state, in addition to federal, actions). And University of Notre Dame law professor Gerard Bradley posits that the evolution of constitutional interpretation has departed so radically from the original intent of the document's framers that the Supreme Court has in effect drafted a new constitution—one that he'd rather not ratify. Some of the essays will be tough going for lay readers, but their range of approaches illustrates many legitimate ways to interpret law—original intent, views of natural law, plain meaning—and their inevitable links to political stances.

Pub Date: Feb. 1, 1995

ISBN: 0-8028-3771-9

Page Count: 197

Publisher: Eerdmans

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 1994

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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