Readers willing to take their time will enjoy this earnest cross-cultural meditation on love and family.

EITHER THE BEGINNING OR THE END OF THE WORLD

In New Hampshire, a 17-year-old Cambodian-American girl falls for a mysterious military medic in this poetically rendered novel by the author of The Good Braider (2012).

Most people would dial 911 if they saw a lone figure with a gun standing on a broken pier near icy, rushing water. But instead, Sofie Grear calls out to Lucas, a National Guard medic who served in Afghanistan. Their chance encounter leads to a romance that must be kept secret, because Lucas is 22. Along with a new boyfriend who seems to be suffering from PTSD, Sofie is also worried about her white fisherman father’s struggling business. He must leave home for fresh fishing grounds, leaving Sofie in the care of her estranged Cambodian mother, who is pregnant with another man’s child. For Sofie, who insists “I am not Cambodian…I have no ancestors. I have no mother. I make myself from scratch every day,” this is a terrible betrayal. But once her mother and grandmother move in and share their history, which dates back to the tyrannical rule of the Khmer Rouge, Sofie discovers that stories from her past are helpful in solving the problems of her present. Though the characterization is uneven (Lucas is a cipher, while Sophie’s no-nonsense grandmother steals every scene she is in), Farish spins an atmospheric plot with lyrical language.

Readers willing to take their time will enjoy this earnest cross-cultural meditation on love and family. (Fiction. 13-17)

Pub Date: Oct. 1, 2015

ISBN: 978-1-4677-7483-3

Page Count: 200

Publisher: Carolrhoda Lab

Review Posted Online: July 27, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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A satisfying if slightly lesser sequel. (Romance. 13-17)

P.S. I STILL LOVE YOU

From the To All the Boys I've Loved Before series , Vol. 2

Lara Jean's romantic entanglements complicate themselves further.

In the wake of the events detailed in To All the Boys I Loved Before (2014), Lara Jean confesses her love for handsome golden boy Peter. This frees the pair to start a romantic relationship with a clean slate, but over the course of the novel it becomes clear that embarking on a relationship that turns an aggressive blind eye to baggage is never a good idea. When a viral video of a steamy love session between Peter and Lara Jean rears its ugly head and a boy from the past enters Lara Jean's life once more, Lara Jean's life gets complicated. Every character from Han’s adored previous novel is back, with new dimensions given to nearly every one of them. Subplots abound, among them two involving Lara Jean's father and Peter's ex-gal Genevieve, but benefitting most from this second look is John Ambrose McClaren, a boy briefly referenced in the former book who is thrust into the spotlight here as Peter's rival for Lara Jean's heart. With all these characters bouncing around, Han occasionally struggles to keep a steady hand on the novel's primary thrust: Lara Jean’s emotional development. Han gets the job done in the end, but this overeventful sequel pales to the original where structure is concerned. The author's greatest success remains her character work, and the book does indeed give everyone a solid arc, narrative be damned.

A satisfying if slightly lesser sequel. (Romance. 13-17)

Pub Date: May 26, 2015

ISBN: 978-1-4424-2673-3

Page Count: 352

Publisher: Simon & Schuster

Review Posted Online: July 4, 2015

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Bloody? Yes. Scary? No.

THERE'S SOMEONE INSIDE YOUR HOUSE

Someone is murdering high school students. Most freeze in fear, but a brave few try to stop the killings.

Senior Makani Young has been living in corn-obsessed Nebraska for just a little over a year. She has developed a crush and made some friends, but a dark secret keeps her from truly opening up to those around her. As the only half–African-American and half–Native Hawaiian student in her school, she already stands out, but as the killing spree continues, the press descends, and rumors fly, Makani is increasingly nervous that her past will be exposed. However, the charming and incredibly shy Ollie, a white boy with hot-pink hair, a lip ring, and wanderlust, provides an excellent distraction from the horror and fear. Graphic violence and bloody mayhem saturate this high-speed slasher story. And while Makani’s secret and the killer’s hidden identity might keep the pages turning, this is less a psychological thriller and more a study in gore. The intimacy and precision of the killer’s machinations hint at some grand psychological reveal, but lacking even basic jump-scares, this tale is high in yuck and low in fright. The tendency of the characters toward preachy inner monologues feels false.

Bloody? Yes. Scary? No. (Horror. 14-16)

Pub Date: Sept. 26, 2017

ISBN: 978-0-525-42601-1

Page Count: 352

Publisher: Dutton

Review Posted Online: July 17, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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