A novel that hits so many exposed nerves is sure to be a conversation-piece: it has heart and pizzazz and even, yes, the...
Talk about timing!
With relations between African-American men and women in the spotlight as never before, here comes McMillan’s report from the front: her bawdy, vibrant, deliciously readable third novel (Mama, Disappearing Acts) is the story of four black women friends and their frequently disastrous encounters with black men. The four are in their mid-to-late 30s, middle-class women making good money, and they live in Phoenix. Savannah, who has everything she wants except a man, has just moved from Denver, partly to be close to best friend Bernadine, whose 11-year-old marriage has collapsed. Super-successful “buppie” (black yuppie) John has tricked Bernadine every which way, but his greatest betrayal is crossing the color line to snare a California blond; now Bernadine must raise their two kids alone. Her friends Robin and Gloria are not having any better luck: Robin is a backsliding bubblehead whose study of astrology has not cured her weakness for “pretty men with big dicks” who use and abuse her, while the only male in overweight, matronly Gloria’s life is her teenage son Tarik, a source of both anxiety and pride. We watch these women in a swirl of motion: working, partying, dishing, dating, and consoling each other on their misfortunes with men. Their consensus is that “black men play too many games” and are terrified of making commitments, even if they’re buppies (“riffraff comes in all kinds of packages”). Two points here: First, McMillan’s novel is not indiscriminately bashing brothers—there are good men out there (both Bernadine and Gloria have fine prospects by the end), and women cannot escape all the blame (Savannah’s inability to say the three magic words costs her dearly). Second, these women do not mope. The story’s best scene has them falling-down drunk at Gloria’s hilarious birthday party; indeed, they are as timeless as Molly Bloom or the Wife of Bath in their robust sensuality.
A novel that hits so many exposed nerves is sure to be a conversation-piece: it has heart and pizzazz and even, yes, the sweet smell of the breakthrough book.Pub Date: June 1, 1992
ISBN: 0-670-83980-9
Page Count: 416
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1992
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
Nerve-wracking suspense leavened with romance and spiced with sex: another hit for the prolific Roberts (Blue Smoke, 2005,...
Murder mixes with anguish in steamy Savannah.
FBI-trained hostage negotiator Phoebe MacNamara is a lieutenant in the Savannah police department. Ever since Phoebe and her family were held hostage when she was 12, her mother has been agoraphobic, and Phoebe and her brother Carter still bear the psychological scars, but Phoebe’s used the memory to hone her skills. While talking a suicidal bartender off a ledge, she meets his boss, Duncan Swift. The charming millionaire coaxes her into meeting for a drink, and their relationship slowly deepens. But life takes a turn for the worse when a misogynist cop botches a hostage situation. Suspended, he blames Phoebe and retaliates by viciously attacking her in the precinct house stairwell. He loses his job, but his father’s connections keep him out of jail. Phoebe is physically and mentally injured, but her family and her blossoming relationship with Duncan help her cope until a dangerous pattern develops: A strange man keeps crossing her path. Dead animals begin appearing on her doorstep. A hostage taker is shot after she talks him into surrendering. Her ex-husband is brutally murdered by the mystery man, who phones her with sadistic threats. Is it the spiteful disgraced cop or someone from her past? Phoebe must identify the killer before he can carry out his final outrage.
Nerve-wracking suspense leavened with romance and spiced with sex: another hit for the prolific Roberts (Blue Smoke, 2005, etc.).Pub Date: July 10, 2007
ISBN: 978-0-399-15434-8
Page Count: 480
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 2007
An engaging tale about how childhood expectations can be transformed on the journey through adulthood.
Longtime best friends struggle to remain connected when their lives take divergent paths.
Keely Green and Isabelle Maxwell have been attached at the hip since preschool. Although they are both natives of Nantucket, they have always had very different lifestyles. Where Keely resides in a modest home, Isabelle’s attorney father is able to provide his family with every luxury. Even so, the girls bond over their love of Nantucket and shared dreams of becoming writers. As they grow and end up at different colleges, they see that life can often complicate friendships, and they begin to gradually grow apart. When Isabelle declares she has found the perfect man, Keely begins dating Isabelle’s long-ago boyfriend, Tommy. Tension over Tommy causes the young women’s relationship to grow increasingly strained. Adding drama to this now-fraught relationship is the moment when Keely makes it as a bestselling novelist and moves to New York, while Isabelle, who was always the more cosmopolitan of the pair, is still living on the island, with no professional prospects in sight. Despite her success, Keely feels empty without Isabelle at her side. As these young women see their lives unfolding in ways they never expected, the biggest question they face is whether they will ever find a way back to each other. Offering details about life on Nantucket—both during the winter months, when only true islanders are present, and in summer, when the town is overrun with vacationers—Thayer (A Nantucket Wedding, 2018, etc.) brings the island to life so vividly that Nantucket becomes its own character. Told in the third person, the novel follows Keely as she navigates coming-of-age, changing friendships, romance, and caring for an ailing parent. The author also sheds a bright light on some of the difficulties inherent in the writer’s life, including loneliness and constant self-doubt. Told in a plot-focused, accessible prose, the novel appears at first to be a light read, but it deals artfully with heavier issues, including guilt, envy, and forgiveness.
An engaging tale about how childhood expectations can be transformed on the journey through adulthood.Pub Date: July 2, 2019
ISBN: 978-1-5247-9872-7
Page Count: 320
Publisher: Ballantine
Review Posted Online: May 12, 2019
Kirkus Reviews Issue: June 1, 2019
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