McMillan turns in a solid, well-told story.
The years pass, and McMillan’s (Waiting to Exhale, 1992, etc.) characters have moved from buppiedom to grandmotherhood.
Betty Jean is not having a good day when we first meet her. She’s in the kitchen, frying chicken, when her wayward 27-year-old daughter, Trinetta, calls, begging for money and adding, “the good news is I might have a job and I was wondering if I could bring the boys over for a couple of days.” Trinetta admits to taking a pull or a snort every now and again, but to nothing stronger. The problem is, drugs have swept across Trinetta’s generation (“all drugs, not just some...will fuck you up every time and make you do a lot of stupid shit and you won’t get nowhere in life except maybe prison”), leaving it to the elders to pick up the pieces—and when it’s not drugs, then it’s some other form of culture destroyer, for Betty Jean’s eldest child is a chiropractor in Oregon, “where hardly any black people live, which has made it very easy for him to forget he’s black.” Betty Jean’s sisters, Arlene and Venetia, are formidable, too, and with troubles of their own—though in Venetia’s case, there’s an attractive young man, white at that, who’s constantly making goo-goo eyes at her, making her forget that she’s married and of a certain age. Naturally, complications ensue at every turn. Moving from character to character and their many points of view, McMillan writes jauntily and with customary good humor, though the sensitive ground on which she’s treading is not likely to please all readers; even so, her story affirms the value of love and family, to say nothing of the strength of resolute women in the absence of much strength on the part of those few men who happen to be in the vicinity.
McMillan turns in a solid, well-told story.Pub Date: Sept. 17, 2013
ISBN: 978-0-670-78569-8
Page Count: 400
Publisher: Viking
Review Posted Online: April 26, 2013
Kirkus Reviews Issue: June 1, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
You will never forget Shuggie Bain. Scene by scene, this book is a masterpiece.
Alcoholism brutally controls the destiny of a beautiful woman and her children in working-class Scotland.
The way Irvine Welsh’s Trainspottingcarved a permanent place in our heads and hearts for the junkies of late-1980s Edinburgh, the language, imagery, and story of fashion designer Stuart’s debut novel apotheosizes the life of the Bain family of Glasgow. Stunning, raven-haired Agnes Bain is often compared to Elizabeth Taylor. When we meet her in 1981, she’s living with her parents and three “weans” in a crowded high-rise flat in a down-and-out neighborhood called Sighthill. Her second husband, Hugh "Shug" Bain, father of her youngest, Shuggie, is a handsome taxi driver with a philandering problem that is racing alongside Agnes’ drinking problem to destroy their never-very-solid union. In indelible, patiently crafted vignettes covering the next 11 years of their lives, we watch what happens to Shuggie and his family. Stuart evokes the experience of each character with unbelievable compassion—Agnes; her mother, Lizzie; Shug; their daughter, Catherine, who flees the country the moment she can; artistically gifted older son Leek; and the baby of the family, Shuggie, bullied and outcast from toddlerhood for his effeminate walk and manner. Shuggie’s adoration of his mother is the light of his life, his compass, his faith, embodied in his ability to forgive her every time she resurrects herself from a binge: “She was no use at maths homework, and some days you could starve rather than get a hot meal from her, but Shuggie looked at her now and understood this was where she excelled. Everyday with the make-up on and her hair done, she climbed out of her grave and held her head high. When she had disgraced herself with drink, she got up the next day, put on her best coat, and faced the world. When her belly was empty and her weans were hungry, she did her hair and let the world think otherwise.” How can love be so powerful and so helpless at the same time? Readers may get through the whole novel without breaking down—then read the first sentence of the acknowledgements and lose it. The emotional truth embodied here will crack you open.
You will never forget Shuggie Bain. Scene by scene, this book is a masterpiece.Pub Date: Feb. 11, 2020
ISBN: 978-0-8021-4804-9
Page Count: 416
Publisher: Grove
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
An ambitious look at how women’s roles have changed—and stayed the same—over the last 70 years.
A sprawling story about two sisters growing up, apart, and back together.
Jo and Bethie Kaufman may be sisters, but they don’t have much else in common. As young girls in the 1950s, Jo is a tomboy who’s uninterested in clothes while Bethie is the “pretty one” who loves to dress up. When their father dies unexpectedly, the Kaufman daughters and their mother, Sarah, suddenly have to learn how to take care of themselves at a time when women have few options. Jo, who realizes early on that she’s attracted to girls, knows that it will be difficult for her to ever truly be herself in a world that doesn’t understand her. Meanwhile, Bethie struggles with her appearance, using food to handle her difficult emotions. The names Jo and Beth aren’t all that Weiner (Hungry Heart, 2016, etc.) borrows from Little Women; she also uses a similar episodic structure to showcase important moments of the sisters’ lives as she follows them from girlhood to old age. They experience the civil rights movement, protests, sexual assault, drugs, sex, and marriage, all while dealing with their own personal demons. Although men are present in both women's lives, female relationships take center stage. Jo and Bethie are defined not by their relationships with husbands or boyfriends, but by their complex and challenging relationships with their mother, daughters, friends, lovers, and, ultimately, each other. Weiner resists giving either sister an easy, tidy ending; their sorrows are the kind that many women, especially those of their generation, have had to face. The story ends as Hillary Clinton runs for president, a poignant reminder of both the strides women have made since the 1950s and the barriers that still hold them back.
An ambitious look at how women’s roles have changed—and stayed the same—over the last 70 years.Pub Date: June 11, 2019
ISBN: 978-1-5011-3348-0
Page Count: 480
Publisher: Atria
Review Posted Online: March 17, 2019
Kirkus Reviews Issue: April 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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