Full of sitcom moments and windy dialogue—aging chick lit at its most superficial.


McMillan’s sequel to her popular Waiting To Exhale picks up 15 years later in the lives of the four Phoenix friends—Savannah, Gloria, Bernadine and Robin—still looking for love and happiness as they hit middle age.

It’s 2005 and each of the women is facing a crisis. Formerly overweight Gloria has found domestic bliss until her beloved husband dies in a drive-by shooting on their anniversary. Then she learns she’s about to lose the lease on her wildly successful salon, and that her son Tarik’s unlikable wife turns out to be a child-abusing, law-breaking adulteress. Gloria starts packing the pounds back on. News producer Savannah is newly lonely after divorcing her husband of ten years because she’s bored with him, although his addiction to Internet porn also factors in. Instead of allowing her hard-up sister’s troubled son to visit, Savannah treats herself to a jaunt to Paris, but not before she has a dream blind date with a handsome retired doctor. Shopaholic Robin is the never-married mother of 15-year-old Sparrow, a nauseatingly perfect daughter. (Actually, the fact that none of these women have children who talk back or rebel or disappoint like real children may be the real fantasy wish fulfillment for readers, not the sexy romances.) How Robin’s salary as an underwriter affords her the luxuries and savings she has amassed is glossed over, but then her company downsizes her out of her job. Soon after reconnecting with a “blast from the past” who has shed 40 pounds to become the love of her life, she decides to become a teacher. Bernadine is still recovering from the annulment of her second marriage six years earlier. Her “husband” was a bigamist who swindled her out of a chunk of her alimony settlement from first husband John. She’s closed her café and become addicted to pills, but John and their kids support her when she goes into rehab.

Full of sitcom moments and windy dialogue—aging chick lit at its most superficial. 

Pub Date: Sept. 7, 2010

ISBN: 978-0-670-02204-5

Page Count: 400

Publisher: Viking

Review Posted Online: Aug. 17, 2010

Kirkus Reviews Issue: Sept. 1, 2010

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...


Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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Debut novel by hip-hop rap artist Sister Souljah, whose No Disrespect (1994), which mixes sexual history with political diatribe, is popular in schools country-wide. In its way, this is a tour de force of black English and underworld slang, as finely tuned to its heroine’s voice as Alice Walker’s The Color Purple. The subject matter, though, has a certain flashiness, like a black Godfather family saga, and the heroine’s eventual fall develops only glancingly from her character. Born to a 14-year-old mother during one of New York’s worst snowstorms, Winter Santiaga is the teenaged daughter of Ricky Santiaga, Brooklyn’s top drug dealer, who lives like an Arab prince and treats his wife and four daughters like a queen and her princesses. Winter lost her virginity at 12 and now focuses unwaveringly on varieties of adolescent self-indulgence: sex and sugar-daddies, clothes, and getting her own way. She uses school only as a stepping-stone for getting out of the house—after all, nobody’s paying her to go there. But if there’s no money in it, why go? Meanwhile, Daddy decides it’s time to move out of Brooklyn to truly fancy digs on Long Island, though this places him in the discomfiting position of not being absolutely hands-on with his dealers; and sure enough the rise of some young Turks leads to his arrest. Then he does something really stupid: he murders his wife’s two weak brothers in jail with him on Riker’s Island and gets two consecutive life sentences. Winter’s then on her own, especially with Bullet, who may have replaced her dad as top hood, though when she selfishly fails to help her pregnant buddy Simone, there’s worse—much worse—to come. Thinness aside: riveting stuff, with language so frank it curls your hair. (Author tour)

Pub Date: April 1, 1999

ISBN: 0-671-02578-3

Page Count: 320

Publisher: Pocket

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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