by Terry Miles ‧ RELEASE DATE: June 8, 2021
A twisty, timey-wimey roller coaster that morphs seamlessly from treasure hunt to conspiracy thriller to escape room.
The creator of the absorbing podcast Rabbits expands its mythology about an ancient and potentially deadly game.
Debut novelist Miles is known for creating hit podcasts, and while this peculiar augmentation doesn’t quite stick the landing, its premise is spellbinding. Its namesake podcast is a missing persons mystery, but this sidequel digs far deeper into the mysteries surrounding the clandestine alternative-reality game at its heart. The narrator identifies himself only as K, and he’s fascinated by any threads of information about the unnamed game, known to players colloquially as “Rabbits.” Egged on by a video-arcade owner named the Magician, K, his girlfriend, Chloe, and pal Baron search out more information about the game as things get more dangerous for all of them. There’s not much to go on: The first recorded modern instance of the game emerged in 1959; a fractured recording lays out a few more clues, and readers learn more from interstitial notes by Hazel, the winner of the eighth iteration. Things start getting serious when K is approached in the arcade by the alleged winner of the sixth game, Alan Scarpio, “a gazillionaire playboy who hangs out with Johnny Depp,” who nonchalantly says, “Something is wrong with Rabbits, and I need you to help me fix it.” It’s believed that the game’s 10th iteration has ended, and a new round seems to be beginning when players solve a series of obscure riddles, followed by a cryptic pronunciation: “The door is open.” While not as pop-culture inundated as Ready Player One, the book nods to eccentric influences like the urban legend Polybius, about a mind-altering arcade game; the novels Invisible Cities by Italo Calvino and House of Leaves by Mark Z. Danielewski; and, most tellingly, the cult movie Donnie Darko: “The Venn diagram of people interested in Rabbits and in Richard Kelly’s sci-fi thriller from 2001 is essentially just a circle.”A twisty, timey-wimey roller coaster that morphs seamlessly from treasure hunt to conspiracy thriller to escape room.
Pub Date: June 8, 2021
Page Count: 432
Publisher: Del Rey
Review Posted Online: March 30, 2021
Kirkus Reviews Issue: April 15, 2021
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Awards & Accolades
New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Pub Date: June 16, 2020
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Colleen Hoover ‧ RELEASE DATE: Dec. 8, 2020
A unique story of transcendent love.
An aimless young musician meets the girl of his dreams only to have his newfound happiness threatened by several inexplicable—and possibly supernatural—events.
The story opens as Leeds Gabriel meets with a detective while his girlfriend, Layla, is restrained in a room one flight above them. Through the interview, readers learn that Leeds was wasting both his time and his musical talent playing backup for a small-town wedding troupe called Garrett’s Band when he spied Layla dancing her heart out to their mediocre music at a wedding. When Leeds approaches Layla, their connection is both instant and intense. A blissful courtship follows, but then Leeds makes the mistake of posting a picture of himself with Layla on social media. A former girlfriend–turned-stalker wastes no time in finding and attacking Layla. Layla spends months recovering in a hospital, and it seems the girl Leeds fell for might be forever changed. Gone is her special spark, her quirkiness, and the connection that had entranced Leeds months before. In a last-ditch effort to save their relationship, he brings Layla back to the bed-and-breakfast where they first met. When they get there, though, Leeds meets Willow, another guest, and finds himself drawn to her in spite of himself. As events unfold, it becomes clear that Willow will either be the key to saving Leeds’ relationship with Layla or the catalyst that finally extinguishes the last shreds of their epic romance. Told entirely from Leeds’ point of view, the author’s first foray into paranormal romance does not disappoint. Peppered with elements of mystery, psychological thriller, and contemporary romance, the novel explores questions about how quickly true love can develop, as well as the conflicts that can imperil even the strongest connections. Despite a limited cast of characters and very few setting changes, the narrative manages to remain both fast-paced and engaging. The conclusion leaves a few too many loose ends, but the chemistry between the characters and unexpected twists throughout make for a satisfying read.A unique story of transcendent love.
Pub Date: Dec. 8, 2020
Page Count: 301
Publisher: Montlake Romance
Review Posted Online: Sept. 15, 2020
Kirkus Reviews Issue: Oct. 1, 2020
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