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AN UNSETTLING CRIME FOR SAMUEL CRADDOCK

A favorite of fans who like their police procedurals with a strong ethical center, Shames provides the back story of a...

A fire on the wrong side of the tracks starts an investigation that digs as deeply into the crime as it does into the people surrounding it.

Though he’s not a trained farmer, Samuel Craddock (The Necessary Murder of Nonie Blake, 2016, etc.) is excited at the prospect of raising cows on the small plot of land he shares with his wife, Jeanne. On the day the livestock are to be delivered, Samuel, in his capacity as chief of police in Jarrett Creek, is called to Darktown to investigate a fire. Darktown is the unofficial area of town where the black folks live; though it’s the modern era, Texas has yet to catch up. The fire is the least of Samuel’s problems. He’s beaten to the scene by highway patrolman John Sutherland, who takes an instant dislike to him and all the questions he’s asking. Sutherland doesn’t think investigating crime in the black community requires formal police attention, even when it’s obvious the fire is arson and investigators find several bodies at the scene. Samuel’s attempt to put pressure on Sutherland’s investigation backfires when Sutherland hastily arrests Truly Bennett, a young black man Samuel is certain isn’t connected to the crime. His own investigations persuade Samuel that everyone from the small town he thought he knew so well has something to hide—even the people he thought he knew best.

A favorite of fans who like their police procedurals with a strong ethical center, Shames provides the back story of a Southern cop caught between his job and his culture.

Pub Date: Jan. 3, 2017

ISBN: 978-1-63388-209-6

Page Count: 255

Publisher: Seventh Street Books

Review Posted Online: Oct. 18, 2016

Kirkus Reviews Issue: Nov. 1, 2016

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PLAIN TRUTH

Despite a provocative and topical premise, and a strong opening, Picoult fails this time, her seventh, to rise above...

An uneven reworking of tabloid headlines: a young woman is charged with infanticide, and a hard-boiled attorney agrees to defend her. With one crucial distinction: the defendant is Amish.

In the Amish community of Paradise, Pennsylvania, 18-year-old Katie Fisher, unwed, is the chief suspect in the death by asphyxiation of a newborn found in the Fisher family’s barn. A medical exam reveals that Katie has just given birth, but she insists she has never been pregnant. Enter Ellie Hathaway, a 39-year-old (and single) Philadelphia defense attorney visiting her aunt Leda. Leda, also Amish, prevails upon an initially reluctant Ellie to defend Katie. Ellie moves in with the Fishers to prepare Katie’s defense, a device that allows Picoult (Keeping Faith, 1999, etc.) to juxtapose the devout Amish (or Plain Folk) and their spartan way of life with city-slicker Ellie. But as Ellie befriends Katie, unsettling inconsistencies in the latter’s story emerge. As in Rashomon, the truth proves elusive, shifting, and often unwelcome. Is Katie suffering from a genuine psychosis, repressing events too traumatic to remember? Or was she simply trying to conceal an affair and pregnancy she knew would have led to her being shunned by her own people? The drama echoes with conflicts in Ellie’s own life: her loudly ticking biological clock, the end of a tepid relationship with another attorney, and the resumption of a love affair with Coop, her college sweetheart-turned-psychologist (and eventual expert witness on Katie’s behalf). All, of course, will be tidily resolved by trial’s end.

Despite a provocative and topical premise, and a strong opening, Picoult fails this time, her seventh, to rise above paint-by-numbers formula. (Author tour)

Pub Date: May 9, 2000

ISBN: 0-671-77612-6

Page Count: 416

Publisher: Pocket

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2000

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A MURDEROUS RELATION

A rollicking tale of desire, murder, and mayhem complete with Victorian atmosphere and two bickering leads.

An eccentric pair of late-Victorian detectives delve into a case involving the royal family.

Through many a wild escapade (A Dangerous Collaboration, 2019, etc.), Veronica Speedwell and Stoker Templeton-Vane have danced around their passionate feelings for each other. Just when the highly independent Veronica is about to commit to a full physical relationship—"The truth, dear reader, is that I was as ready for him as any filly ready for the stud"—a new case hurls them into perhaps their most dangerous adventure yet. Lady Wellingtonia Beauclerk, a power in royal circles, calls them to a meeting with the Princess of Wales and Inspector Archibond of Scotland Yard. The meeting is fraught, for Veronica is the unacknowledged daughter of the Prince of Wales, who deserted Veronica and her Catholic mother to marry Alexandra of Denmark. Since the Yard is overwhelmed with the hunt for Jack the Ripper, who’s terrorizing London, Archibond asks the sleuthing duo to recover a diamond star that the princess's eldest son, Prince Albert Victor, aka Eddy, has given to Madame Aurore, the owner of a private sex club. At first the sleuths decline, but when Lady Wellie suffers a severe angina attack, some snooping reveals her fear that Prince Eddy is suspected of being the Ripper. With the help of Stoker’s brother, they attend a masked ball at the club whose members indulge in all sorts of sexual depravity. After an exciting and informative evening, they run into Eddy, a dim but likable lad, who’s with them when their attempt to open Aurore’s safe ends with their discovery of her body under her bed. All three are kidnapped by Veronica’s Uncle de Clare, an Irishman who wants to place Veronica on the throne and free Ireland. Now they must escape, return Eddy unharmed to the bosom of his family, and discover who murdered Aurore.

A rollicking tale of desire, murder, and mayhem complete with Victorian atmosphere and two bickering leads.

Pub Date: March 10, 2020

ISBN: 978-0-451-49074-2

Page Count: 320

Publisher: Berkley

Review Posted Online: Dec. 8, 2019

Kirkus Reviews Issue: Jan. 1, 2020

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