A most welcome collection for longtime Southern fans and neophytes alike.
A gathering of uncollected work by the celebrated master of black comedy.
Terry Southern (1924-1995) was known for his supremely sardonic take on the human condition as well as a “gonzo style [that] was imbued with a self-consciousness informed by his own quasi-celebrity,” in the words of his son and editor, Nile. The present volume existed as a working manuscript for decades, a companion of sorts to an unpublished novel called Youngblood. “It’s no wonder Terry didn’t return to The Hipsters, considering the intensely creative literary friendships he developed after his time at the Sorbonne [1948-1952],” writes Nile. “Rather than hanging out with lost souls, academics, and insouciant friends, Terry was mixing it up with poets, publishers, and grand eccentrics like Alex Trocchi, George Plimpton, Marilyn Meeske, Iris Owens, Doc Humes, Allen Ginsberg, and Gregory Corso.” The book is a hodgepodge of story sketches, ideas for books and screenplays, treatments, and other rough draft–ish pieces, all marked by Southern’s obvious pleasure at putting together roguish sentences. Some of the pieces could conceivably be outtakes from works like The Magic Christian, as when a narrator, having kept a truck driver from running over a sleeping junkie, suggests that he’s hauling not his stated load but instead, à la Henri-George Clouzot’s influential film The Wages of Fear, explosives. Among the best pieces in the book are sample pages from Southern’s screenplay for A Clockwork Orange, which, in the end, Stanley Kubrick rejected in favor of his own treatment, keeping Southern on as a producer for a time and then dropping him from the project entirely. Another revealing piece is a kind of keeping-busy thought experiment that Kubrick assigned him, coming up with sequels to Dr. Strangelove. The resulting “Strangelove Quartette” (1963), a screenplay of sorts, contains a provocation at the outset: "Does Strangelove have any emotional ties? Possibility of Sue Lyon being Strangelove’s daughter. Everyone else begging for shaft-priority.” Nothing came of it, and that’s lamentable indeed.
A most welcome collection for longtime Southern fans and neophytes alike.Pub Date: May 1, 2021
ISBN: 978-1-953862-00-6
Page Count: 292
Publisher: ANTIBOOKCLUB
Review Posted Online: Feb. 23, 2021
Kirkus Reviews Issue: March 15, 2021
A pleasure for fans of old-school historical narratives.
Avuncular observations on matters historical from the late popularizer of the past.
McCullough made a fine career of storytelling his way through past events and the great men (and occasional woman) of long-ago American history. In that regard, to say nothing of his eschewing modern technology in favor of the typewriter (“I love the way the bell rings every time I swing the carriage lever”), he might be thought of as belonging to a past age himself. In this set of occasional pieces, including various speeches and genial essays on what to read and how to write, he strikes a strong tone as an old-fashioned moralist: “Indifference to history isn’t just ignorant, it’s rude,” he thunders. “It’s a form of ingratitude.” There are some charming reminiscences in here. One concerns cajoling his way into a meeting with Arthur Schlesinger in order to pitch a speech to presidential candidate John F. Kennedy: Where Richard Nixon “has no character and no convictions,” he opined, Kennedy “is appealing to our best instincts.” McCullough allows that it wasn’t the strongest of ideas, but Schlesinger told him to write up a speech anyway, and when it got to Kennedy, “he gave a speech in which there was one paragraph that had once sentence written by me.” Some of McCullough’s appreciations here are of writers who are not much read these days, such as Herman Wouk and Paul Horgan; a long piece concerns a president who’s been largely lost in the shuffle too, Harry Truman, whose decision to drop the atomic bomb on Japan McCullough defends. At his best here, McCullough uses history as a way to orient thinking about the present, and with luck to good ends: “I am a short-range pessimist and a long-range optimist. I sincerely believe that we may be on the way to a very different and far better time.”
A pleasure for fans of old-school historical narratives.Pub Date: Sept. 16, 2025
ISBN: 9781668098998
Page Count: 208
Publisher: Simon & Schuster
Review Posted Online: June 26, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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