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WHAT JEFFERSON READ, IKE WATCHED, AND OBAMA TWEETED

200 YEARS OF POPULAR CULTURE IN THE WHITE HOUSE

Light, entertaining and informative.

From reading Cicero to watching I Love Lucy, a history of American presidents’ interactions with popular culture.

Can a president show that he has the gravitas to govern the nation and still reveal that he knows who Snooki is? The question animates this fresh view of presidents from George Washington to Barack Obama and their efforts to find the right distance for the leader of a republic to keep between himself and the people. Against the rise of American popular culture over the past 200 years, Hudson Institute senior fellow Troy (Intellectuals and the American Presidency: Philosophers, Jesters, or Technicians?, 2002) shows how presidents’ cultural pursuits have shaped them and the nation. The pursuits are many: Jefferson read the classics and philosophical works (“From candlelight to early bedtime I read”), as did John Adams, in an era when Common Sense sold as briskly as Peyton Place; Andrew Jackson thrilled audiences on his visits to the theater; Franklin Roosevelt mastered the radio; and Reagan made expert use of TV, which he also enjoyed viewing for consolation. While Theodore Roosevelt and Lincoln worked hard to balance book smarts and popular appeal, presidents had other cultural distractions to deal with in ensuing years, which brought the Montgomery Ward catalog, the phonograph, radio, TV (Clinton was a “savvy manipulator,” George W. Bush rarely watched), and the Internet. Troy shows how these leaders used and projected their own images through emerging media, from Nixon sizing up the competition on TV to Obama’s preference for dark and edgy TV shows like The Wire. He wonders how the U.S. will continue to produce good leaders in a culture of the outrageous and the vulgar.

Light, entertaining and informative.

Pub Date: Sept. 3, 2013

ISBN: 978-1-62157-039-4

Page Count: 416

Publisher: Regnery History

Review Posted Online: July 20, 2013

Kirkus Reviews Issue: Aug. 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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