An utterly delightful and expansive collection of queer voices and truths.
An illustrated anthology takes readers through queer history and identity.
As the introduction declares, the accessibility of comics as a medium (both for readers and creators) allows marginalized stories to flourish. This claim manifests throughout the anthology as memoir, satire, and educational comics from 40 diverse creators fill its colorful pages. The contributors embody a variety of identities, from ethnic and national background to voices who are intersex, asexual, and otherwise representative of the spectrum of queer identities. The comics themselves vary wildly too, in illustration style, theme, and length. While one satirical comic denounces the capitalist co-opting of gay iconography, another presents a joke about a gender reveal party that ruptures the cosmos. Graphic memoirs recall personal instances of both struggle and joy. Some authors also expand upon important events and figures in queer history, from an account of the gay, Jewish Nazi-resistance fighter Gad Beck to the Lavender Scare targeting queer federal employees in the 1950s. These educational moments inform without ever being didactic or dry. The art ranges from the adorably cartoony style of “How Do You Translate Non-Binary?” by Breena Nuñez to the gritty crosshatches of “Sometimes I Call Myself Queer. Sometimes I Feel Like a Liar.” by Nero O’Reilly. Many entries stand out as truly great works of art, and the collection as a whole will entice readers to savor and explore it again and again.
An utterly delightful and expansive collection of queer voices and truths. (Graphic anthology. 16-adult)Pub Date: Sept. 1, 2020
ISBN: 978-1-68405-777-1
Page Count: 256
Publisher: IDW Publishing
Review Posted Online: Aug. 24, 2020
A winner.
The trials of a high school basketball team trying to clinch the state title and the graphic novelist chronicling them.
The Dragons, Bishop O’Dowd High School’s basketball team, have a promising lineup of players united by the same goal. Backed by Coach Lou Richie, an alumnus himself, this could be the season the Oakland, California, private Catholic school breaks their record. While Yang (Team Avatar Tales, 2019, etc.), a math teacher and former National Ambassador for Young People's Literature, is not particularly sporty, he is intrigued by the potential of this story and decides to focus his next graphic novel on the team’s ninth bid for the state championship. Yang seamlessly blends a portrait of the Dragons with the international history of basketball while also tying in his own career arc as a graphic novelist as he tries to balance family, teaching, and comics. Some panels directly address the creative process, such as those depicting an interaction between Yang and a Punjabi student regarding the way small visual details cue ethnicity in different ways. This creative combination of memoir and reportage elicits questions of storytelling, memory, and creative liberty as well as addressing issues of equity and race. The full-color illustrations are varied in layout, effectively conveying intense emotion and heart-stopping action on the court. Yang is Chinese American, Richie is black, and there is significant diversity among the team members.
A winner. (notes, bibliography) (Graphic nonfiction. 13-18)Pub Date: March 17, 2020
ISBN: 978-1-62672-079-4
Page Count: 448
Publisher: First Second
Review Posted Online: Dec. 20, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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PERSPECTIVES
From its enticing, dramatic cover to its brown endpapers to a comical Grant Wood–esque final image, this is a worthy...
A graphic-novel account of the science and history that first created and then, theoretically, destroyed the terrifying Dust Bowl storms that raged in the United States during the “dirty thirties.”
“A speck of dust is a tiny thing. Five of them could fit on the period at the end of this sentence.” This white-lettered opening is set against a roiling mass of dark clouds that spills from verso to recto as a cartoon farmer and scores of wildlife flee for their lives. The dialogue balloon for the farmer—“Oh my God! Here it comes!”—is the first of many quotations (most of them more informative) from transcripts of eyewitnesses. These factual accounts are interspersed with eloquently simple explanations of the geology of the Great Plains, the mistake of replacing bison with cattle and other lead-ups to the devastations of the Dust Bowl and the Great Depression. The comic-book–style characters create relief from the relentlessly grim stories of hardship and loss, set in frames appropriately backgrounded in grays and browns. Although readers learn of how the U.S. government finally intervened to help out, the text does not spare them from accounts of crippling droughts even in the current decade.
From its enticing, dramatic cover to its brown endpapers to a comical Grant Wood–esque final image, this is a worthy contribution to the nonfiction shelves. (bibliography, source notes, photographs) (Graphic nonfiction. 10 & up)Pub Date: Oct. 8, 2013
ISBN: 978-0-547-81550-3
Page Count: 80
Publisher: Houghton Mifflin
Review Posted Online: July 16, 2013
Kirkus Reviews Issue: Aug. 1, 2013
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