A beautiful debut exploring how time, love, and sacrifice are never what they seem to be.

AN OCEAN OF MINUTES

Traveling to the future is their only chance to stay together—as long as time doesn’t tear them apart.

“People wishing to time travel go to Houston Intercontinental Airport,” begins Lim’s shimmering debut novel. The year is 1981, time travel is possible, and a flu pandemic has ravaged the globe. Frank and Polly, a young couple from Buffalo, are navigating the world together until Frank gets sick. In an effort to save him, Polly enters into a contract with TimeRaiser, a company that sends healthy people to the future to work in exchange for medical treatment for their infected loved ones. The couple promises to meet in Texas the year Polly is set to arrive, but something unexpected derails their plans. It’s only when Polly reaches her destination—sprawling, crumbling, unknowable—that she realizes the devastating decision she’s made (“it was irreversible, and only comprehensible after it was done”). Told from Polly’s point of view, the novel oscillates between the present and future—a jarring juxtaposition that’s equally touching and heartbreaking. While Polly’s future is unrecognizable, there are a few depressing tenants that remain: all-consuming capitalism, sexual violence, and extreme wealth inequality are a few. The novel’s unsettling tone ensures the reader remains as confused as Polly. Where the United States of America had been, there is now the United States and America. A land divided by borders, wealth, and something far more precious: normalcy. Lim’s writing shines brightest when she’s ruminating on time, memory, and love: “No matter what happens, the past has a permanence. The past is safe,” and “Eventually this white noise of optimism would completely fuzz over her memories of their minutiae: their laughter, musk, tics, gripes, singing, skin.”

A beautiful debut exploring how time, love, and sacrifice are never what they seem to be.

Pub Date: July 10, 2018

ISBN: 978-1-5011-9255-5

Page Count: 320

Publisher: Touchstone/Simon & Schuster

Review Posted Online: April 16, 2018

Kirkus Reviews Issue: May 1, 2018

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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