by Theo Padnos ‧ RELEASE DATE: Jan. 1, 2004
No ease anywhere, but the text conveys a dreamlike sense of standing outside oneself and observing that keeps things from...
An unsettling account of trying to connect with inmates at a Vermont jail through a literature class.
A deeply unhappy graduate student seeking something beyond “a relatively narrow, officially approved life with officially approvable people,” newcomer Padnos in 1999 stakes a claim at the ratty world of the Woodstock Regional Correctional Facility, a waystation for those awaiting trial. Inmates don’t flock to his basement classroom, but there is a slow accrual of interest from the men, many of them quite young, who have been accused of committing unspeakable crimes. These crimes will be spoken of in grim detail that nearly makes a reader want to turn away in dread. But it is through their circumstances that Padnos comes to profile the students who sit in his classroom, where menace hangs in the air with greater weight than the words of Walt Whitman or Stephen King. Though he often hears the inmates’ stories through a prism of suspicion—trust appears to be a word with little application here—the author tries to keep jadedness at bay. The stories voice the men’s longings, he knows, even if those longings are apocalyptic in nature and substance. Padnos wants his students to find some reverb with the material, to stitch it together with what motivated their acts and what they had hoped to achieve by them: “The goal was to jerk them out of their routine, to help them see their lives with the clarity of an observer.” Often enough, this leads them deeper into the desperate. Huck Finn may be a universal icon, but what strikes home at Woodstock is the cold comfort of a Denis Johnson story. “Their lives have been rich in sorrow and strangeness,” Padnos writes of his students. “They’re wealthy at least in these departments.”
No ease anywhere, but the text conveys a dreamlike sense of standing outside oneself and observing that keeps things from getting too scary.Pub Date: Jan. 1, 2004
ISBN: 0-7868-6909-7
Page Count: 288
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2003
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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