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HUNTING FOR FUR

Violent and menacing imagery darken this sardonic tale, originally published in France. The animals, naked and freezing because human thieves have stolen their fur, have decided upon vigilante justice and set out to get back their pelts. In an effort to help Big Bad Wolf, their friend, Panda and Koala go on a rampage, robbing the fur-wearing denizens of the big city. Pouncing on an elderly woman, Panda yells “Freeze, you rabbit, mink, or wolf skin thief! That fur is ours!” Koala is shown pointing a gun at the woman, albeit a toy one. More disturbing is the early portrayal of Panda and Koala as they pledge to rescue Wolf’s fur: Koala totes a rifle under each arm while Panda brandishes two pistols with ammunition belts crisscrossed over his torso. Although adults will appreciate the satire, and the irony of such gentle creatures attired as commandoes, children will only see a message of violence: Guns are glorified and that in this case, the end justifies the means. (Picture book. 6-9)

Pub Date: Sept. 1, 1998

ISBN: 0-385-32636-X

Page Count: 28

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1998

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HENRY AND MUDGE AND THE STARRY NIGHT

From the Henry and Mudge series

Rylant (Henry and Mudge and the Sneaky Crackers, 1998, etc.) slips into a sentimental mode for this latest outing of the boy and his dog, as she sends Mudge and Henry and his parents off on a camping trip. Each character is attended to, each personality sketched in a few brief words: Henry's mother is the camping veteran with outdoor savvy; Henry's father doesn't know a tent stake from a marshmallow fork, but he's got a guitar for campfire entertainment; and the principals are their usual ready-for-fun selves. There are sappy moments, e.g., after an evening of star- gazing, Rylant sends the family off to bed with: ``Everyone slept safe and sound and there were no bears, no scares. Just the clean smell of trees . . . and wonderful green dreams.'' With its nice tempo, the story is as toasty as its campfire and swaddled in Stevenson's trusty artwork. (Fiction. 6-8)

Pub Date: April 1, 1998

ISBN: 0-689-81175-6

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1998

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BIG CHICKENS

With wordplay reminiscent of Margie Palatini at her best, Helakoski takes four timorous chickens into, then out of, the literal and figurative woods. Fleeing the henhouse after catching sight of a wolf, the pusillanimous pullets come to a deep ditch: “ ‘What if we can’t jump that far?’ ‘What if we fall in the ditch?’ ‘What if we get sucked into the mud?’ The chickens tutted, putted, and flutted. They butted into themselves and each other, until one by one . . . ” they do fall in. But then they pick themselves up and struggle out. Ensuing encounters with cows and a lake furnish similar responses and outcomes; ultimately they tumble into the wolf’s very cave, where they “picked, pecked, and pocked. They ruffled, puffled, and shuffled. They shrieked, squeaked, and freaked, until . . . ” their nemesis scampers away in panic. Fluttering about in pop-eyed terror, the portly, partly clothed hens make comical figures in Cole’s sunny cartoons (as does the flummoxed wolf)—but the genuine triumph in their final strut—“ ‘I am a big, brave chicken,’ said one chicken. ‘Ohh . . . ’ said the others. ‘Me too.’ ‘Me three.’ ‘Me four’ ”—brings this tribute to chicken power to a rousing close. (Picture book. 6-8)

Pub Date: Feb. 1, 2006

ISBN: 0-525-47575-3

Page Count: 32

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2005

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