A kaleidoscopic history of the thrice-holy city, written from the inside by Idinopulos (Religion/Miami Univ.; The Erosion of Faith, 1971). One of the best features of Idinopulos's account is the breadth of his perspective: He has provided, in effect, three histories in one volume, relating (in separate sections) the disparate experiences and expectations brought to Jerusalem by the three great religions that at various times have claimed—and still claim—the city as their own. Thus, the zeal of Jewish nationalism, rooted in David's ill-fated attempt to establish a Jewish kingdom, is contrasted with both the Christian ambivalence toward the place that witnessed Christ's crucifixion and resurrection, and the doomed pragmatism of Islam, which sought unsuccessfully to amalgamate Judaism and Christianity into a new monotheism of its own devising. The sorry spectacle of the Crusades, jihads, and persecutions that have marred Jerusalem's history throughout the ages is related without prejudice or apology for any party, and the final section of the book, which unfolds the history of modern Zionism and the Intifada, provides fresh perspectives on a crisis that, to many observers, shows no hopeful signs of resolution. One might question Idinopulos's overreliance on a small number of historians whom he quotes authoritatively throughout the book, but this is balanced somewhat by an ample bibliography and generous annotations. The illustrations and maps are carefully chosen and helpful. A splendidly told tale, which succeeds against great odds in providing a clear, balanced, and lively history of one of the most complicated cities in the world.

Pub Date: Nov. 1, 1991

ISBN: 0-929587-66-9

Page Count: 384

Publisher: Ivan Dee/Rowman & Littlefield

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 15, 1991

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Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...



Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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