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HOW TO WRITE LIKE A WRITER

A SHARP AND SUBVERSIVE GUIDE TO IGNORING INHIBITIONS, INVITING INSPIRATION, AND FINDING YOUR TRUE VOICE

Sturdy practical advice to build confidence and skill.

Encouragement for beginning writers.

Foster brings his experience as a teacher and writer to this genial guide to the writing process. Any piece of writing, he notes, is a conversation between writer and reader, a notion exemplified by his own chatty, informal style. Though focusing on nonfiction writing, such as essays, newsletters, opinion pieces, profiles, and reports, Foster acknowledges that the techniques and guidance he offers can just as well apply to fiction, poetry, or drama. Rather than approach writing as rules to be memorized or “formulas to be copied and applied as needed,” the author presents writing as a way of discovering the world as well as “an occasion for increasing self-knowledge.” In his view, “it is okay to have a writing personality, to not erase yourself from your writing,” and even to use I, which some writing teachers forbid. He cautions against what Gail Godwin famously called the “Watcher at the Gate,” the pesky self-editor that threatens to silence a writer’s voice. As Foster sees it, writers can be undermined by worry, self-doubt, overconfidence, vagueness, poor structure, and dishonesty—i.e., deliberately spreading misinformation. Throughout the book, he provides exercises—in argument, analysis, description, and crafting an introduction, for example—and lists of guidelines. He breaks down the writing process, beginning with “invention,” which can include daydreaming and journaling; and proceeding to organizing, crafting an effective ending, and—crucially important—revising at the sentence, paragraph, and structural levels. He underscores the importance of supporting claims with evidence: facts, data, testimony, experts’ findings, anecdotes, and quotes. At a time when shifty disinformation seems to be everywhere, he discusses how to evaluate the credibility of a source. “Every piece of writing,” he emphasizes, “is an argument, even if its only point is, ‘I’m worth reading.’ ” His overarching advice to writers is simple: “Write every day….Read. Widely.”

Sturdy practical advice to build confidence and skill.

Pub Date: Sept. 6, 2022

ISBN: 978-0-06-313941-1

Page Count: 304

Publisher: Perennial/HarperCollins

Review Posted Online: June 14, 2022

Kirkus Reviews Issue: July 15, 2022

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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THAT'S A GREAT QUESTION, I'D LOVE TO TELL YOU

A frank and funny but uneven essay collection about neurodiversity.

An experimental, illustrated essay collection that questions neurotypical definitions of what is normal.

From a young age, writer and comedian Myers has been different. In addition to coping with obsessive compulsive disorder and panic attacks, she struggled to read basic social cues. During a round of seven minutes in heaven—a game in which two players spend seven minutes in a closet and are expected to kiss—Myers misread the romantic advances of her best friend and longtime crush, Marley. In Paris, she accidentally invited a sex worker to join her friends for “board games and beer,” thinking he was simply a random stranger who happened to be hitting on her. In community college, a stranger’s request for a pen spiraled her into a panic attack but resulted in a tentative friendship. When the author moved to Australia, she began taking notes on her colleagues in an effort to know them better. As the author says to her co-worker, Tabitha, “there are unspoken social contracts within a workplace that—by some miracle—everyone else already understands, and I don’t….When things Go Without Saying, they Never Get Said, and sometimes people need you to Say Those Things So They Understand What The Hell Is Going On.” At its best, Myers’ prose is vulnerable and humorous, capturing characterization in small but consequential life moments, and her illustrations beautifully complement the text. Unfortunately, the author’s tendency toward unnecessary capitalization and experimental forms is often unsuccessful, breaking the book’s otherwise steady rhythm.

A frank and funny but uneven essay collection about neurodiversity.

Pub Date: Oct. 28, 2025

ISBN: 9780063381308

Page Count: 272

Publisher: Morrow/HarperCollins

Review Posted Online: Sept. 12, 2025

Kirkus Reviews Issue: Oct. 15, 2025

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