An upbeat and engaging guide to literature for English teachers working with young readers.
The New York Times–best-selling How to Read Literature Like a Professor is redacted for teachers of young readers.
The premise behind Foster’s works is that there’s a “grammar of literature…a certain set of patterns, codes, and rules that we can learn to use when we’re reading a piece of writing.” If students learn that grammar, they can read better and appreciate more about what’s going on in the books they read. Short essays offer insights into myth, symbols, setting, Shakespeare, the Bible, quests and various themes. The author shares a “big secret: there’s only one story”—all stories grow out of other stories and contribute to the mix, and what students are doing as they learn to read more widely and insightfully is joining a conversation between old books and new. The title and cover, though—actually, the whole premise of this volume—are misleading: This will work best as a guide for teachers of young people, providing many interesting insights into a range of children’s and young-adult literature, from Green Eggs and Ham to Twilight, along with adult literature accessible to younger readers, such as Dracula, A Raisin in the Sun, and The Strange Case of Dr. Jekyll and Mr. Hyde.
An upbeat and engaging guide to literature for English teachers working with young readers. (reading list, acknowledgments, index) (Nonfiction. 12 & up)Pub Date: April 22, 2013
ISBN: 978-0-06-220086-0
Page Count: 176
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 15, 2013
Kirkus Reviews Issue: Feb. 1, 2013
An enviable hero and appealing wish fulfillment that’s spiced with teen-friendship drama.
When her family moves to London, an American teen adjusts to a new school in this middle-grade novel.
Previously, 12-year-old Mackenzie Blue Carmichael, called Zee, detailed her seventh grade escapades in the five-volume Mackenzie Blue series. Now a year older and in the eighth grade, the red-haired, blue-eyed, olive-skinned Zee faces a major life change because her father’s job is taking the family to London from Los Angeles. Besides leaving behind sunny skies for London fog, Zee must say goodbye to Chloe Lawrence-Johnson, her best friend from Brookdale Academy. Another big change is that Zee will be attending a boarding school, The Hollows Creative Arts Academy, in the Cotswolds. That’s a bit intimidating, but the school has some huge advantages, especially its focus on the arts. She can concentrate on her singing and songwriting while studying academic subjects. Plus, her Brookdale friend Ally Stern now lives in Paris, just two hours away. Despite her anxieties, Zee makes several friends quickly. Unexpectedly, she is taken into the charmed circle of Izzy Matthews, a popular YouTuber, and hits it off with the school’s hottest ninth grade boy, the posh Archibald “Archie” Saint John the Fourth, a fellow songwriter. But hurdles remain, such as staying in touch with Chloe across time zones. Ally, too, has been mysteriously distant, canceling a planned Paris rendezvous for unclear reasons. Wells (now writing with Smith) continues the Mackenzie Blue series under a new umbrella title. Transplanting Zee to England allows for a fresh array of challenges and adventures, and American readers will likely enjoy learning about cultural differences with Britain. (Some references are off target; for example, the name St. John isn’t spelled “Saint John.”) Zee has a lively voice that makes her sound like a friend any teen would like to have, although few readers will be able to relate to the characters’ wealthy lives. Teens own expensive, high-status items like Alexander McQueen sneakers, and their school is so far out of reach for most that it might as well be Hogwarts. These elements are certainly entertaining as an aspirational fantasy, though Zee’s troubles seem lightweight indeed among so much privilege. The fast-paced plot ends rather abruptly just as it feels as if Zee’s story is really getting started; the tale continues in Book 2. Jamison supplies monochrome illustrations that deftly convey the teens’ expressive emotions.
An enviable hero and appealing wish fulfillment that’s spiced with teen-friendship drama.Pub Date: N/A
ISBN: N/A
Page Count: 167
Publisher: West Margin Press
Review Posted Online: April 20, 2021
Kirkus Reviews Issue: June 1, 2021
Review Program: Kirkus Indie
A well-meaning, awkward cautionary tale.
Boxed in by societal prejudices, a young Chicano struggles to find his identity.
Split into two separate periods, Chacón’s insightful novel portrays the trials of Victor Reyes, a death metal–loving, artistic teen who’s seemingly ill-fated in life. In the book’s first half, 14-year-old Victor recovers from a shooting—he was dead for a hair over 2 minutes—that leaves him with a fuzzy memory. Almost everyone, including his mom, believes he’s a cholo, a gangbanger destined for trouble. Though Victor tries his best to mend his relationship with his mom, he frequently ends up in incriminating situations. Meanwhile, Victor meets and falls for a feisty part-Mexican, part-Indian girl. The story moves at a meandering pace, which Chacón uses to sketch in disjointed details. Victor’s first-person narration doesn’t stand out in any particular way, but each of the diverse supporting characters features a distinct, if stereotypical, voice to fill in that void. The novel’s second half focuses on 17-year-old Victor, a senior succeeding in school and love. A supportive teacher helps him refine his artistic goals, pushing him to apply for art school. But Victor’s anger and past won’t let him go, and soon he’s knee-deep in the cholo life. Overall, the author employs a well-worn redemption arc, and the often clunky, self-conscious narration doesn’t really help to make it feel fresh: “They looked sort of geeky cool, like journalism students, the kind of kids that YA novels are written about.”
A well-meaning, awkward cautionary tale. (Fiction. 14-18)Pub Date: May 31, 2017
ISBN: 978-1-55885-840-4
Page Count: 272
Publisher: Piñata Books/Arte Público
Review Posted Online: March 14, 2017
Kirkus Reviews Issue: April 1, 2017
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