by Thomas Edward Frank ‧ RELEASE DATE: March 10, 2020
A thorough and thought-provoking examination of the roles houses of worship play in communities.
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A work studies a wide variety of causes and ripple effects of houses of worship closing their doors.
“Religious buildings,” Frank writes, “their spaces and programs, their very presence, have long been essential elements of the sense of place that grounds community life in America.” The author sees houses of worship as the centers of this extremely important sense of place, a concept that extends well beyond the specific religious intentions of the people and denominations that built them in the first place. Frank notes that this vital sense of place was often reflected even in the geography of houses of worship, which often tended to cluster near town centers or commons. He uses as his main example North Adams, Massachusetts, focusing his inquiries on the kinds of general questions such buildings tend to prompt. These questions include “What kind of place is this, and what place will it become?” And, the author asks, “who gets to” answer or even frame such questions? These queries become more pressing as local communities across America lose parishes and centers of worship at an increasing rate, with the buildings themselves being repurposed into apartments, condos, and city offices. In all of these cases, Frank probes the far-reaching effects of such closings. “Is the scale of these closings indicative of social change and accelerating dispersal of ethnic and neighborhood cohesion?” he asks. “Or do the closings themselves exacerbate these trends? Or both?”
Throughout the book, the author takes a bracing, factual tone, completely rejecting the idea that he’s indulging in mere nostalgia. The historical activities he’s engaged in, “remembering stories of the past, asking how buildings came to be, or who the people were who populated this house of worship and this community,” are, he points out, “explicitly anti-nostalgic.” Understanding this kind of history, he maintains, “is essential in planning for a constructive future.” Frank uses the case of North Adams very skillfully in order to both explore the issues and challenge his readers. He has some stern words for the callous or unthinking way municipalities—and church management teams—sometimes deal with the issues involved in closing houses of worship. When he describes, for instance, the somewhat fumbling way North Adams dealt with closing, consolidating, and renaming churches, he asks: “But a diocese” can just “announce the renovation of collective memory and the institution of new folkways?” Most of Frank’s readers have at least a few houses of worship in their own immediate settings, and perhaps many of them know of such places that have indeed been transformed into condos or office spaces. But all readers will be captivated by the author’s intelligent and unflinching insights into both the role that houses of worship play in their cities and the changes that can happen when they close their doors.
A thorough and thought-provoking examination of the roles houses of worship play in communities.Pub Date: March 10, 2020
ISBN: 978-1-61846-095-0
Page Count: 172
Publisher: Library Partners Press
Review Posted Online: Aug. 21, 2020
Review Program: Kirkus Indie
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by Timothy Paul Jones ‧ RELEASE DATE: Sept. 1, 2005
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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by David Sedaris ‧ RELEASE DATE: May 29, 2018
Sedaris at his darkest—and his best.
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In which the veteran humorist enters middle age with fine snark but some trepidation as well.
Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.
Sedaris at his darkest—and his best.Pub Date: May 29, 2018
ISBN: 978-0-316-39238-9
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
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by David Sedaris ; illustrated by Ian Falconer
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