THE BLOOD OF THE LAMB

Monteleone takes a stab at his biggest novel ever (Ozymandias, 1981, etc.), about Millennial Fever and the Second Coming, and comes out half a winner with lusterless hero. A promising start slips into melodrama as ``charismatic'' Father Peter Carenza, now 30, is told by the Vatican that he has been cloned from blood molecules recovered from the Shroud of Turin and then finds himself pursued by Rome's deadly Vatican Secret Service hit-squad. Father Peter, confronted by a gun-wielding teenaged mugger in Brooklyn, fries the mugger to a crisp with a lightning bolt. Soon, he's whisked off to Rome to have this miracle ``verified,'' although Rome knows already that Peter will be able to do such miracles at 30, the age Jesus became Christ. It seems that the Church had him cloned in the womb of a sinless 18-year-old virgin; his mother, now Sister Etienne, has since been secreted in a convent and lately been invaded by Apocalyptic visions. Imprisoned in the Vatican, Peter escapes, flies back to New York, and teams up with Marion Windsor, a TV anchorwoman looking for her first national scoop, who gives him his first sex. When Peter's friend Father Daniel is tortured and mangled by an assassin, Peter brings him back to full health with a blast from his aura. While hiding out with Marion and Daniel, he interrupts a robbery and makes the repentant robber one of his followers. Soon Peter is preaching across the land to folks waiting for the millennium. Slowly, as Peter's powers increase, his character turns lopsided: he kills Daniel, then thousands die in a flood he's caused. Will assassins nail him when he gathers the Pope and the world's leading religious figures together at L.A.'s giant Sports Palladium? Well, a sequel is clearly ahead as Peter shades into the Antichrist. Absorbing but not a novel you can take seriously, with a Jesus who wouldn't know a parable from a fig tree.

Pub Date: July 1, 1992

ISBN: 0-312-85031-X

Page Count: 416

Publisher: Tor

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 1992

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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