A worthy collection of observational poems that occasionally veers into familiar political territory.
Fillion offers a collection of personal and reflective poems.
This is a collection of spare, often arresting, mostly free verse poems—the style suits the author’s reflective, observational tone, which blends the personal and political with subtlety and occasional humor. In one of the most grounded moments, Fillion describes polishing shoes as a thunderstorm approaches: “With a late August thunderstorm approaching / And a dark, menacing sky / I strangely enjoy and am overwhelmed / By the non-pharmaceutical, calming incense / And simple joy of polishing shoes.” That mix of pleasure and melancholy runs through many of the poems. The author often turns to historical and literary figures—including Gerard Manley Hopkins, Jeremy Bentham, Ben Jonson, and John Milton—not to elevate his voice, but to spark unexpected reflections. He also finds delight in small details, listening to poets read their own work online (“Whiskey Tango Foxtrot”) or filling out a retirement form with weary humor (“Bound for Boxcar Willie Nowhere”). Some poems do rhyme, often playfully (occasionally leaning into being a little corny): “I can’t keep up / with the folks next door / Everything I wear / somebody else wore / I get all my Gucci / from the dollar store.” These moments are light, even sly, without undercutting the collection’s deeper emotional notes. There is a particularly poignant poem about the death of a loved one and several poems about aging, including the funny yet somewhat bleak “I Never Get Anything Done.” The short poems about birds, and other observations from the inside of a window, likewise strike a balance between humor and larger, deeper meaning. The political pieces, by contrast, often feel less fresh. Lines like, “The History of the nation / is a trail of / Bread crumbs from the past / That no longer lead / To the forest” lean on familiar imagery. Others fall into broad sloganeering: “truth and facts were / shredded into a Whopper / and a Happy Meal / of American carnage.” Still, Fillion’s voice remains engaging. His strongest poems rely on observation rather than outrage, and they linger long after reading.
A worthy collection of observational poems that occasionally veers into familiar political territory.Pub Date: Aug. 17, 2025
ISBN: 9798999792709
Page Count: 180
Publisher: Self
Review Posted Online: July 21, 2025
Review Program: Kirkus Indie
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
