A sometimes-overheated but eminently readable contribution to political discourse.
Political commentator Frank tries to reclaim populism from the Trumpites and tea partiers.
“I hate the common masses and avoid them.” So said Roman poet Horace centuries ago. Best known for his 2004 polemic What’s the Matter With Kansas?—Kansas being the birthplace of a left-agrarian populist movement of old—Frank conversely urges his readers, likely to be among the urban elite, from dismissing those folks in flyover country who, given one person and one vote, are presumed likely to make poor choices: “If you give them half a chance, they will go out and vote for a charlatan like Donald Trump.” Since its emergence as a political force in the U.S. in the 19th century, populism has always been dismissed as a refuge of the stupid or lunatic, the purview of con artists and bigots. Yet, the author argues, populism is not just an old American way of doing politics, but fundamentally a progressive one as well, uniquely concerned for the well-being of workers. Trump managed to parlay his putative commitment to those workers into votes. However, notes Frank, he is definitively an autocrat and not a populist, who made promises of “populist-style reform, none of them sincere,” that sounded good enough to enough voters to launch him into an office won by that least populist of institutions, the Electoral College. “How does it help us, I wonder, to deliberately devalue the coinage of the American reform tradition?” asks Frank, who encourages his readers to imagine that the matter of most pressing importance in the political landscape today is economic justice for the vast majority of people who have been overlooked by supposed progress—to say nothing of both political parties. The author lays on the indignation a little too thick at times, but it’s a convincing case all the same.
A sometimes-overheated but eminently readable contribution to political discourse.Pub Date: July 14, 2020
ISBN: 978-1-250-22011-0
Page Count: 320
Publisher: Metropolitan/Henry Holt
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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