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LISTEN, LIBERAL

OR, WHAT EVER HAPPENED TO THE PARTY OF THE PEOPLE?

A hard-hitting analysis that may leave readers confused by the author’s ambivalent, punches-pulling conclusion.

How the party of the working class has switched its focus to well-heeled professionals, more concerned with social issues than economic inequality.

“This is a book about the failure of the Democratic Party,” writes political analyst and Baffler founding editor Frank (Pity the Billionaire: The Hard-Times Swindle and the Unlikely Comeback of the Right, 2011). “What ails the Democrats?” he asks. “So bravely forthright on cultural issues, their leaders fold when confronted with matters of basic economic democracy.” Where David Halberstam once showed how reliance on “the best and the brightest” resulted in wrongheaded decisions on Vietnam, Frank builds a similar case for economic policy, as Ivy League presidents (Bill Clinton, Barack Obama) have surrounded themselves with Ivy League advisers whose perspectives aren’t those of what was once the blue-collar base of the Democratic Party: “Thus did the Party of the People turn the government over to Wall Street in the years after Wall Street had done such lasting damage to…well, the People.” Frank is particularly acidic on the Clinton presidency, calling his cabinet “a kind of yuppie Woodstock, a gathering of the highly credentialed tribes,” and claiming, “what he did as president was far outside the reach of even the most diabolical Republican.” In the author’s estimation, the hope of the Obama administration turned hopeless. Since Frank is far from a lone voice in the wilderness in his perspective, you’d think he might see allies in the Occupy movement and the Bernie Sanders campaign, but he barely acknowledges the former and makes no mention of the latter, making it seem as if more recent developments lie outside his analysis. Rather than insisting on radical reform from the left or even a third party alternative, he seems to feel that Hillary Clinton is inevitable: “I myself might vote for her,” because it would be a “terrible thing” if any of the Republicans became president.

A hard-hitting analysis that may leave readers confused by the author’s ambivalent, punches-pulling conclusion.

Pub Date: March 15, 2016

ISBN: 978-1-62779-539-5

Page Count: 320

Publisher: Metropolitan/Henry Holt

Review Posted Online: Feb. 8, 2016

Kirkus Reviews Issue: March 1, 2016

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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