A valuable resource for those needing proof that the government machine could use a good overhaul.
A carefully nonpartisan examination of the events surrounding 9/11 and the government’s response—or lack of response—to them.
“The opportunity of the 9/11 Commission was to respond to a brutal attack on our democratic society with a demonstration of the value of democracy itself.” So write onetime New Jersey governor Kean and Indiana congressman Hamilton, both of whom know the workings of high-level committee investigations and were appointed by President Bush after original heads Henry Kissinger and George Mitchell could not meet Senate ethics committee requirements. “We were set up to fail,” Kean and Hamilton candidly remark; the 9/11 committee was given far too broad a mandate, too tight a deadline and too small a budget to do the job. It was also hampered by partisan politics from the start; the Republicans wanted the committee to disband well before the 2004 presidential election, and in all events, the committee was constituted in such a way to prevent subpoenas from reaching inside the White House. Still, built-in flaws and all, the committee set about doing its work as best it could, and it was surprised to discover the depth of detail that 9/11 families commanded (“Why was the CIPRIS system not used to track foreign students after it was recommended by the National Commission on Terrorism in 1998 and was so effective in trials?” one asked, referring to an interagency intelligence protocol). As is now well known, after examining a mountain of evidence, the committee found the intelligence community and government wanting. As readers will discover, the White House was unhappy with that result, constantly invoking executive privilege to evade still closer examination. Furthermore, Bush failed to act on most of the committee’s carefully considered recommendations for averting another 9/11—which, Kean and Hamilton write in closing, is surely in the making.
A valuable resource for those needing proof that the government machine could use a good overhaul.Pub Date: Aug. 15, 2006
ISBN: 0-307-26377-0
Page Count: 336
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2006
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
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BOOK TO SCREEN
BOOK TO SCREEN
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