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GHOST HORSE

A dark, deeply stirring novel about the quiet tragedy of growing up in a broken family.

A Texas boy grapples with his parents’ estrangement in McNeely’s debut novel.

Eleven-year-old Buddy lives with his mother in 1970s Houston at a time when proper, white middle-class living means that mothers don’t work, parents don’t divorce, and white children don’t befriend the Mexican children down the street. Buddy’s young life has missed all these supposed marks of propriety: His mother, Margot, works in a hospital laboratory; his absentee father, Jimmy, has blown back into town and wants a divorce; and Buddy spends much of his time with his Latino best friend, Alex, who’s working on a film about a ghost horse. Buddy’s torment slowly, steadily grows throughout this sensitive novel as his immature father and his bafflingly stubborn mother make him choose between them again and again. His cold grandparents, meanwhile, only exacerbate the bitter divide. He finally tries to find solace in a new friendship with a fellow student whose home life is similarly caustic. As he struggles to survive the failures of the adults around him, he careens down a path of unhappiness and destruction. McNeely beautifully portrays the confusion of a boy doing his best to deal with matters that are beyond his understanding but fully capable of doing him harm (“He wishes a sheet of fire would cut through the yard; he wishes [his mother] would disappear. But the questions still pulse, there, in the darkness: What will happen when his father comes back?”). The author effectively shows how evil is not born but made; as the grown-ups continue to pile their burdens on him, something hateful begins to bloom in Buddy that wasn’t there before. Overall, the novel will be a haunting read for anyone who’s experienced the childhood anguish of divorce and a powerful reminder to mothers and fathers of the unseen damage that their behavior can inflict on their children.

A dark, deeply stirring novel about the quiet tragedy of growing up in a broken family.

Pub Date: Sept. 22, 2014

ISBN: 978-1928589914

Page Count: 260

Publisher: Gival Press

Review Posted Online: Oct. 27, 2014

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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