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LETTERS FROM THE EDITOR

THE NEW YORKER'S HAROLD ROSS

plenty to enlighten and satisfy anyone with the remotest interest in writing, editing, or absorbing reading. (Author tour)

A pungent supersized bouquet of letters that—in the apt words of Ross biographer Kunkel (Genius in Disguise, 1994)—brings

the New Yorker’s inimitable founding editor, "loudly, reprovingly alive." Even before he started the magazine in 1925, Ross had led an eventful life as tramp reporter, laborer on the Panama Canal, correspondent on the Leo Frank case, and de facto editor of the military weekly Stars and Stripes. But once he launched the New Yorker, it rapidly consumed his life. Asking his first wife Jane Grant for a divorce, Ross writes, "I am a monstrous person incapable of intimate association." On the evidence here, though, Ross’s true genius (although he dated Ginger Rogers and Beatrice Lillie and married twice more) was for the sorts of relationships that not only nurtured such New Yorker stalwarts as E.B. White, James Thurber, and Peter Arno, but also paternally sheltered them from the interference of philistine publisher Raoul Fleischmann and the advertising department. Ross lays down rules for more effective cartoons, struggles to put contributions on a more predictable schedule, and constantly hectors acquaintances and luminaries from Nunnally Johnson to Ernest Hemingway to write for him. Though he takes time out to bankroll Dave Chasen’s famous Hollywood restaurant and pray that Humphrey Bogart’s baby won’t look like him, he declines to attend a reception for Gertrude Stein: "Nuts to Gertrude Stein. If you want to play backgammon tonight, telephone me." Kunkel unobtrusively identifies only those correspondents and peripheral figures most likely to need introduction, and he supplies headnotes setting the stage for many incidents—though he never does explain whether Ross’s protest over his eviction from his apartment for entertaining overnight guests prevented him from being tossed into the street. Even though Kunkel’s biography and Ben Yagoda’s About Town have skimmed the cream from these letters, there’s still

plenty to enlighten and satisfy anyone with the remotest interest in writing, editing, or absorbing reading. (Author tour)

Pub Date: Jan. 1, 2000

ISBN: 0-375-50397-8

Page Count: 592

Publisher: Modern Library

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2000

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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