High-style horror stories in a classic literary mode, in expressiveness not far from the American masters, Poe and H.P. Lovecraft. Ligotti (Songs of a Dead Dreamer, 1990) writes out of what seems an all-embracing depression, making him willing to go into wipeout areas time and again and ask a lot both of himself and his readers. His narrators seldom effect any change; they simply observe a superbly described inner state, then leave, hungover. In ``The Last Feast of Harlequin,'' a professor obsessed with clowns locates a clown festival in the midwestern town of Mirocaw. He goes to observe and join the townsfolk in their festival, perhaps wearing his clown suit. But the festival is not meant for him. In fact, it is two festivals, one within the other, the inner one being a cruel festival of freaks who are detested and beaten by members of the larger clown festival. He joins the freaks and follows them out of town and down a hole in the earth wherein they have borne their frigid Winter Queen. In a cavernous earthen hall, the freaks begin turning into huge worms, and he flees up the black wormhole by which he entered. In ``The Glamour,'' the narrator enters a weird boarded-up movie house to find himself in a sparse audience surrounded by purple lights and seated amid hairy threads that bind all to their seats as they watch a cobweb screen on which is shown grisly purple organs being operated on. He leaves before he can be imprisoned by the floating and crawling hairs. In ``The Night School,'' he enters a dark, weird schoolground where strange figures stand around misshapen metal drums in firelight; then he goes into the hideously rotting school for a bizarre class in ``measurement of cloacal forces. Time as a flow of sewage. The excrement of space, scatology of creation...'' He leaves, finding the moon ``coated with a luminous mold, floating...in the great sewers of the night.'' Thirteen tales out of a maggoty delirium.
Pub Date: Dec. 16, 1991
ISBN: 0-88184-739-9
Page Count: 224
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1991
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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