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THOMAS MOORE'S GUIDE TO THE INTERNET

A useful time capsule of the internet in its infancy.

A debut collection of magazine articles explores the genesis of the internet.

Before the dawn of the new millennium, in an era before YouTube, Facebook, and Twitter, the internet was not quite as ubiquitous as it is today. In the mid-1990s, Moore was tasked with explaining it to the readers of the underground publication WWWiz Magazine. His book delivers a collection of the articles from that period, covering an array of topics ranging from chat rooms, cybersex, hyperlinks, search engines, and download speeds to the ever evolving technology that ran it all. The culture in these articles may occasionally seem familiar—the thin-skinned Apple users of today sometimes resemble their thin-skinned Macintosh counterparts of yesterday, and the taboo of online dating has still never quite dissipated. But this ’90s version of cyberspace was only beginning to attract average users at a time when two megabytes was considered a “big file” and the patience of Job was required to get QuickTime to load on a Windows PC. A true introduction to the internet’s beginnings, Moore’s articles include concise, still-relevant information about how personal computers—to the surprise of Xerox, IBM, HP, and others—became more than just rich hobbyists’ playthings. The collection goes as far back as the ’50s and ’60s to look at the postwar influence on the internet, and the contributions of Tim Berners-Lee, the CERN engineer and computer scientist responsible for creating the World Wide Web, complete with a short interview. All the articles are stereotypically ’90s, littered with references to cultural hallmarks like Seinfeld, Dilbert, and the scandal involving President Bill Clinton and Monica Lewinsky. The lone break from these past insights is the assortment of occasional observations from the 21st century, pithy footnotes to readers following up on the successes or failures of the technologies or companies discussed—enjoyable additions to the text that the book could ultimately benefit from more of. But even when the material is dated, there’s a lot to learn here for those looking for an approachable guide to the origins of the internet, particularly from an embedded perspective.

A useful time capsule of the internet in its infancy.

Pub Date: April 19, 2017

ISBN: 978-0-692-84569-1

Page Count: 183

Publisher: ACME Publishing Co., LLC

Review Posted Online: July 14, 2018

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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