by Thomas P. Slaughter ‧ RELEASE DATE: Jan. 21, 2003
A rich, provocative work that merits attention during the commemorative season to come. (See Brian Hall’s I Should Be...
In chapters that stand alone as essays and follow themes not found in more sober works of history (“Dreams,” “Writing First,” “Why Snakes?,” etc.), Slaughter (History/Notre Dame) examines questions that some celebrants of the Lewis and Clark bicentenary may not want to see raised.
Who, for instance, was the woman Meriwether Lewis and William Clark called Sacagawea? Would she have answered to that name? Did she die in 1812, as most histories tell us? On the second and third questions, Slaughter (The Natures of John and William Bartram, 1996, etc.) shows why “no” is the best answer; on the first, he tells us much, concluding that Americans have mythologized Porivo (a name she would have answered to) “by denying her enslavement, her life, and her voice . . . ignor[ing] the violence done to her and upon which our nation is based.” Another slave, Clark’s servant York, receives similarly close and rueful consideration. The author gives much thought to the explorers’ obsession with the issue of whether they were the first white men, even the first Americans, to have followed the course of the Missouri and Columbia rivers to the Pacific, again showing that “no” is the best answer, as Lewis and Clark knew. Traversing the North American continent 200 years ago, they were haunted by the sense that they were always a running a league or a week behind where they should have been. Sensibly taking the point of view of the native people the explorers encountered along the way, Slaughter asks, “How could you be late for a mountain?” Even as he gainsays myth and points to some of their shortcomings, however, he honors Lewis and Clark for their bravery. There’s no needless demolition of hard-won reputation here, and their self-doubt acquires a certain poignancy in Slaughter’s hands. Pensive and lyrical, this is not just about the famous expedition, but also “about naming, discovery, being an explorer, finding yourself, and losing your way.”
A rich, provocative work that merits attention during the commemorative season to come. (See Brian Hall’s I Should Be Extremely Happy in Your Company, p. 1494, for an expertly drawn fictional recreation of the Lewis and Clark expedition.)Pub Date: Jan. 21, 2003
ISBN: 0-375-40078-8
Page Count: 256
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2002
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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