A taut tale with a disturbingly plausible what-if scenario.
A fast-paced speculative thriller set in a morally desolate near future.
It’s 2050, and renowned independent journalist Marcus Tully is in a bad place. In the decade since his beloved wife’s death in an unprecedented heat wave, he’s struggled to find peace. As the story opens, he’s swilling artisanal rum before throwing the glass at a projected image of news commentators; the disaster that killed his spouse has become politicized—an event that some pundits claim never happened, despite evident international suffering. However, Marcus, unlike most other victims, has the knowledge and resources to fight back against this perception. In the run-up to a worldwide election, a mysterious whistleblower appears in Marcus’ life, claiming he has information about Marcus’ wife’s death, as well as tangible proof of major political figures using dangerous tech to suppress the very constituents they’ve unhoused with irresponsible climate policies. And yet, the election that’s about to take place—filled, of course, with many of these same politicians—could be the last, best hope to prevent a climate apocalypse. As Marcus is drawn deeper into the darkness of a murder investigation, nothing is certain—not even his belief that his wife’s death was an accident. In this timely novel, Weaver seizes upon big-picture concerns of the real-world moment—including global warming, ethically bankrupt leadership, and the disintegration of trustworthy news sources—to create a vision of a future worth fearing. There’s also plenty of intriguing everyday tech scattered throughout—such as a sort of EpiPen that cures hangovers—that never seems far-fetched. The prose and dialogue aren’t particularly snappy, but readers inclined toward futuristic narratives about present-day issues will find this novel hard to put down.
A taut tale with a disturbingly plausible what-if scenario.Pub Date: Sept. 26, 2023
ISBN: N/A
Page Count: 368
Publisher: Chainmaker Press
Review Posted Online: Jan. 7, 2024
Kirkus Reviews Issue: March 1, 2024
Review Program: Kirkus Indie
The best news of all: The climax leaves the door open to further reports from the hilariously misnamed British Intelligence.
A series of mounting complications leads to yet another fight to the death between the discarded intelligence agents of Slough House and the morally bankrupt head of MI5.
As Jackson Lamb’s motley crew on Aldersgate Street struggles to cope with the deaths of River Cartwright’s grandfather and mentor, intelligence veteran David Cartwright, and their dim, beloved colleague Min Harper, new troubles are brewing. Diana Taverner, who runs the British Intelligence Service from Regent’s Park, is being blackmailed by former MP Peter Judd to do his bidding. Nothing untoward about that, of course, but this time, Judd’s demands, backed by a compromising tape recording, are more pressing than usual. So Diana reconvenes the Brains Trust—Al Hawke, Avril Potts, Daisy Wessex, and their ex-boss Charles Cornell Stamoran—whose last assignment was to serve as the contact for psychopathic IRA informant Dougie Malone while turning a blind eye to his multiple rapes and murders, which were really none of the Crown’s business. Taverner’s new assignment for the Brains Trust is the assassination of Judd. Since all these developments are filtered through the riotously cynical lens of Herron’s imagination, nothing goes as planned, and when the smoke clears, the fatalities don’t include Judd. Now that Judd knows he has as much reason to fear Taverner as she does to fear him, Lamb offers to broker a peace meeting between them which Slough House computer geek Roddy Ho will keep secret by knocking out 37 security cameras around Taverner’s dwelling. What could possibly go wrong?
The best news of all: The climax leaves the door open to further reports from the hilariously misnamed British Intelligence.Pub Date: Sept. 9, 2025
ISBN: 9781641297264
Page Count: 352
Publisher: Soho Crime
Review Posted Online: May 30, 2025
Kirkus Reviews Issue: July 1, 2025
PROFILES
PERSPECTIVES
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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