by Thomas Simmons ‧ RELEASE DATE: May 28, 1991
Delicate look at an unusual childhood by an author who has published poems and essays in The New York Times and The Christian Science Monitor. Simmons was raised as a Christian Scientistthat is, as a believer in the ``Father-Mother God'' and in the absolute contrast between the ``mortal mind'' or ordinary people and the pure spiritual mind of fellow Christian Scientists. Most of this book records his difficult divorce from this American-bred church, which denies the reality of physical phenomena and therefore, in its most famous tenet, rejects the values of modern medicine. Whenever Simmons got sick as a kid, the cure was prayeralthough sometimes his mother would ``fill a heavy old woolen sock with salt, heat it in the oven, and place it over my ear.'' Such unorthodox treatment usually meant long bouts of pain, assuaged by the child's sense of living in a world enfolded in God's love. Simmons dwells wistfully on his mother, who found her artistic abilities thwarted by church and societal expectations, his ``hard'' father, and the Christian Science Church, which ``enchained us with its freedom.'' In time he found escape through model-building, motorcycle-riding, sex, poetry, and the joys of his own family, especially his son, whom he raises by the dictates of conventional medicine. Too much family material that will interest few outside the Simmons clan, and the author loves the pretentious phrase (``And that love made it possible for the architecture of my words to mean something.''). Nonetheless, the details of this Christian Science upbringing enthrall.
Pub Date: May 28, 1991
ISBN: 0-8070-1018-9
Page Count: 173
Publisher: Beacon Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1991
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by Timothy Paul Jones ‧ RELEASE DATE: Sept. 1, 2005
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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by Albert Camus ; translated by Justin O'Brien & Sandra Smith
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by Albert Camus ; translated by Ellen Conroy Kennedy & Justin O'Brien
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by Albert Camus translated by Arthur Goldhammer edited by Alice Kaplan
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