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LATE-TALKING CHILDREN

A father's first-person account of his young son's difficulties in learning to talk, his surprising discoveries about other late talkers, and some intriguing speculation about the causes of this problem. Although clearly a bright boy who understood when spoken to and who displayed unusual analytical abilities (as a toddler, he managed to outwit a child-proof lock), Sowell's son John did not speak until he was almost four years old. When Sowell, a Hoover Institute senior fellow (Migrations and Culture, 1996, etc.), wrote about his son in his syndicated newspaper column, dozens of parents of late-talking children wrote to him. A support group of 55 families representing 57 children eventually formed. Sowell follows the story of his son John—now a successful computer scientist—with numerous anecdotal accounts from these families' letters. Seeing a pattern in their stories, Sowell sent out questionnaires in 1994 and 1996, and the results of the longer 1996 survey are summarized here. He discovered that most of the late talkers were boys, with especially good memories and puzzle-solving skills, that most were slow in their social development and late in toilet training, and that many had close relatives who played musical instruments or were in analytical professions. Sowell, who is more anecdotal than scientific in his approach, is quick to acknowledge that his is a biased sample of late talkers, but he asserts that both professionals and parents should be aware of this pattern of mental abilities and family backgrounds. It may be, he speculates, that some bright children are late in talking precisely because the demands of their analytical abilities, localized in the left half of the brain, are being met at the expense of the speech function. Children like his son, he warns, are frequently misdiagnosed as retarded or autistic and thus risk being placed in special-education classes, from which release may be difficult. Hardly definitive, but should ease the minds of worried parents.

Pub Date: Aug. 6, 1997

ISBN: 0-465-03834-4

Page Count: 192

Publisher: Basic Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1997

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IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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A LITTLE HISTORY OF POETRY

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

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