Heartfelt memoir about the significance of origins and self-identity.
Indian-born journalist and novelist Umrigar (English/Case Western Reserve Univ.; If Today Be Sweet, 2007, etc.) rekindles the emotional contradictions that affected her childhood as a “cultural mongrel” in the ’60s and ’70s.
Umrigar paints a stunningly detailed portrait of her multifaceted Bombay milieu. A Parsi minority in a Hindu-majority country, she attended Catholic school, where Hindi was taught as a foreign language. She defines her upbringing as middle class and captures the sadness of the excruciating poverty below her in India, specifically in her vivid descriptions of the starving child beggars at Chowpatty Beach. Umrigar’s home, a small, spare apartment with a joint-family living arrangement and nosy Parsi neighbors, was the source of much emotional turmoil and recrimination. In animated, anguished prose, the author depicts her mother as an unstable, angry and violent woman “with a tongue that can sting as hard as the cane she uses on me.” Umrigar found refuge in the kindness of her live-in spinster aunt, Mehroo, whose limited status as an unmarried woman is implicitly evoked. Although Umrigar was close to her father, she was too terrified to reveal her mother’s hidden beatings and abuse. The author evokes her volatile emotions in language that conveys the intensity of her pain, yet which may be too flowery for some readers: “My love feels so thick and heavy, it tastes like blood. Or grief.” Stifled at home, Umrigar, “restless and defiant,” sought an unconventional friend who broadened the author’s horizons with such gifts as the Irving Stone biographical novel about Vincent Van Gogh, Lust for Life. Eventually she decided to give up her family moniker of “First Darling in the Morning” and immigrate to America, noting that the desire to resettle was driven mainly by frustration and yearning.
Heartfelt memoir about the significance of origins and self-identity.Pub Date: Nov. 11, 2008
ISBN: 978-0-06-145161-4
Page Count: 320
Publisher: Perennial/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2008
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier...
A moving record of Didion’s effort to survive the death of her husband and the near-fatal illness of her only daughter.
In late December 2003, Didion (Where I Was From, 2003, etc.) saw her daughter, Quintana Roo Dunne, hospitalized with a severe case of pneumonia, the lingering effects of which would threaten the young woman’s life for several months to come. As her daughter struggled in a New York ICU, Didion’s husband, John Gregory Dunne, suffered a massive heart attack and died on the night of December 30, 2003. For 40 years, Didion and Dunne shared their lives and work in a marriage of remarkable intimacy and endurance. In the wake of Dunne’s death, Didion found herself unable to accept her loss. By “magical thinking,” Didion refers to the ruses of self-deception through which the bereaved seek to shield themselves from grief—being unwilling, for example, to donate a dead husband’s clothes because of the tacit awareness that it would mean acknowledging his final departure. As a poignant and ultimately doomed effort to deny reality through fiction, that magical thinking has much in common with the delusions Didion has chronicled in her several previous collections of essays. But perhaps because it is a work of such intense personal emotion, this memoir lacks the mordant bite of her earlier work. In the classics Slouching Toward Bethlehem (1968) and The White Album (1979), Didion linked her personal anxieties to her withering dissection of a misguided culture prey to its own self-gratifying fantasies. This latest work concentrates almost entirely on the author’s personal suffering and confusion—even her husband and daughter make but fleeting appearances—without connecting them to the larger public delusions that have been her special terrain.
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier writing.Pub Date: Oct. 19, 2005
ISBN: 1-4000-4314-X
Page Count: 192
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2005
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SEEN & HEARD
A unique, incandescent memoir.
A lyrical, soul-stirring memoir about how an acclaimed Native American poet and musician came to embrace “the spirit of poetry.”
For Harjo, life did not begin at birth. She came into the world as an already-living spirit with the goal to release “the voices, songs, and stories” she carried with her from the “ancestor realm.” On Earth, she was the daughter of a half-Cherokee mother and a Creek father who made their home in Tulsa, Okla. Her father's alcoholism and volcanic temper eventually drove Harjo's mother and her children out of the family home. At first, the man who became the author’s stepfather “sang songs and smiled with his eyes,” but he soon revealed himself to be abusive and controlling. Harjo's primary way of escaping “the darkness that plagued the house and our family” was through drawing and music, two interests that allowed her to leave Oklahoma and pursue her high school education at the Institute of American Indian Arts in Santa Fe. Interaction with her classmates enlightened her to the fact that modern Native American culture and history had been shaped by “colonization and dehumanization.” An education and raised consciousness, however, did not spare Harjo from the hardships of teen pregnancy, poverty and a failed first marriage, but hard work and luck gained her admittance to the University of New Mexico, where she met a man whose “poetry opened one of the doors in my heart that had been closed since childhood.” But his hard-drinking ways wrecked their marriage and nearly destroyed Harjo. Faced with the choice of submitting to despair or becoming “crazy brave,” she found the courage to reclaim a lost spirituality as well as the “intricate and metaphorical language of my ancestors.”
A unique, incandescent memoir.Pub Date: July 9, 2012
ISBN: 978-0-393-07346-1
Page Count: 208
Publisher: Norton
Review Posted Online: April 29, 2012
Kirkus Reviews Issue: May 15, 2012
SEEN & HEARD
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