by Thrity Umrigar ; illustrated by Khoa Le ‧ RELEASE DATE: Oct. 6, 2020
An engaging, beautiful, and memorable book.
Two stories overlap in this book, one many generations old and another modern, illustrating both the power of kindness and a shared humanity between immigrants and their new communities.
When a young immigrant girl first comes to the United States, she feels alone and misses her friends, family, and cats back home. The care of her aunt and uncle and all of her new books and toys do not help. Then one day, her aunt tells her a story that changes everything: A group of people from Persia escaped persecution and landed on an Indian kingdom’s shore. “Our land is too crowded,” said this land’s king upon their arrival, “and [they] speak a strange and different language I do not understand.” He went to the seashore to order them to leave, but since neither understood the other’s tongue, he showed the refugees a glass of milk, full to the very top, and illustrated that it could take no more. The travelers were devastated, but then their leader carefully added one spoonful of sugar to the milk, without spilling it. This made it sweeter and convinced the king to let the newcomer’s stay. Exquisite spreads illustrate the book, full of delicate ornamentation for the ancient Parsi tale and cultural diversity on the streets of New York for the modern one. (The protagonist and her aunt and uncle have brown skin, and she and her auntie have shiny, long black hair.) The story changes the young girl’s perspective, helping her to embrace her new home and reminding her to lead the way with kindness.
An engaging, beautiful, and memorable book. (Picture book. 4-9.)Pub Date: Oct. 6, 2020
ISBN: 978-0-7624-9519-1
Page Count: 48
Publisher: Running Press Kids
Review Posted Online: Aug. 31, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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by Alice Schertle ; illustrated by Jill McElmurry ‧ RELEASE DATE: March 25, 2025
A friendship tale with solid messaging and plenty of fun sounds to share.
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New York Times Bestseller
In this latest in the series, Little Blue Truck, driven by pal Toad, is challenged to a countryside race by Racer Red, a sleek, low-slung vehicle.
Blue agrees, and the race is on. Although the two start off “hood to hood / and wheel to wheel,” they switch positions often as they speed their way over dusty country roads. Blue’s farm friends follow along to share in the excitement and shout out encouragement; adult readers will have fun voicing the various animal sounds. Short rhyming verses on each page and several strategic page turns add drama to the narrative, but soft, mottled effects in the otherwise colorful illustrations keep the competition from becoming too intense. Racer Red crosses the finish line first, but Blue is a gracious loser, happy to have worked hard. That’s a new concept for Racer Red, who’s laser-focused on victory but takes Blue’s words (“win or lose, it’s fun to try!”) to heart—a revelation that may lead to worthwhile storytime discussions. When Blue’s farm animal friends hop into the truck for the ride home, Racer Red tags along and learns a second lesson, one about speed. “Fast is fun, / and slow is too, / as long as you’re / with friends.”
A friendship tale with solid messaging and plenty of fun sounds to share. (Picture book. 4-7)Pub Date: March 25, 2025
ISBN: 9780063387843
Page Count: 32
Publisher: Clarion/HarperCollins
Review Posted Online: Jan. 18, 2025
Kirkus Reviews Issue: Feb. 15, 2025
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by Stephen King ; illustrated by Maurice Sendak ‧ RELEASE DATE: Sept. 2, 2025
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
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