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KNOT CANNOT

Clever wordplay and an unlikely (and adorable) protagonist make this book knot to be missed.

Knot is a short length of rope who wishes he were more like Snake, but…he’s knot.

Thus begins a zany exploration of all the things Snake can do (slither, hiss, swallow) that Knot cannot. Lowery’s signature madcap cartoons and hand lettering depict a smug snake and a surprisingly expressive knot with bug eyes and emotive stripes who produces long-suffering sighs in speech bubbles. Meanwhile, Stone’s text is both funny and punny: “Snake can even shed her skin. Snake looks brand-new. Can Knot look brand-new? No, he’s a frayed knot.” Additionally, rhyme-y knot/not combinations and jokes fill the pages. “Can Knot do this? Knot can…not. What can Knot do? Not a lot.” When danger approaches, however, Knot’s signature ability (“Knot can…knot!”) finally comes in handy to save his friend. Yes, it’s essentially a one-trick pony, but Stone and Lowery’s collaboration is a fun vehicle for important learning, ably illustrating the futility of comparing yourself to others while celebrating each individual’s strengths. As a bonus, it also sneakily includes actual information about several different types of knots that Knot can make.

Clever wordplay and an unlikely (and adorable) protagonist make this book knot to be missed. (Picture book. 3-7)

Pub Date: April 7, 2020

ISBN: 978-0-7352-3080-4

Page Count: 32

Publisher: Dial Books

Review Posted Online: Jan. 11, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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CHICKA CHICKA TRICKA TREAT

From the Chicka Chicka Book series

A bit predictable but pleasantly illustrated.

Bill Martin Jr and John Archambault’s classic alphabet book Chicka Chicka Boom Boom (1989) gets the Halloween treatment.

Chung follows the original formula to the letter. In alphabetical order, each letter climbs to the top of a tree. They are knocked back to the ground in a jumble before climbing up in sequence again. In homage to the spooky holiday theme, they scale a “creaky old tree,” and a ghostly jump scare causes the pileup. The chunky, colorful art is instantly recognizable. The charmingly costumed letters (“H swings a tail. / I wears a patch. J and K don / bows that don’t match”) are set against a dark backdrop, framed by pages with orange or purple borders. The spreads feature spiderwebs and jack-o’-lanterns. The familiar rhyme cadence is marred by the occasional clunky or awkward phrase; in particular, the adapted refrain of “Chicka chicka tricka treat” offers tongue-twisting fun, but it’s repeatedly followed by the disappointing half-rhyme “Everybody sneaka sneak.” Even this odd construction feels shoehorned into place, since “sneaking” makes little sense when every character in the book is climbing together. The final line of the book ends on a more satisfying note, with “Everybody—time to eat!”

A bit predictable but pleasantly illustrated. (Picture book. 3-7)

Pub Date: July 15, 2025

ISBN: 9781665954785

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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