Clever wordplay and an unlikely (and adorable) protagonist make this book knot to be missed.
Knot is a short length of rope who wishes he were more like Snake, but…he’s knot.
Thus begins a zany exploration of all the things Snake can do (slither, hiss, swallow) that Knot cannot. Lowery’s signature madcap cartoons and hand lettering depict a smug snake and a surprisingly expressive knot with bug eyes and emotive stripes who produces long-suffering sighs in speech bubbles. Meanwhile, Stone’s text is both funny and punny: “Snake can even shed her skin. Snake looks brand-new. Can Knot look brand-new? No, he’s a frayed knot.” Additionally, rhyme-y knot/not combinations and jokes fill the pages. “Can Knot do this? Knot can…not. What can Knot do? Not a lot.” When danger approaches, however, Knot’s signature ability (“Knot can…knot!”) finally comes in handy to save his friend. Yes, it’s essentially a one-trick pony, but Stone and Lowery’s collaboration is a fun vehicle for important learning, ably illustrating the futility of comparing yourself to others while celebrating each individual’s strengths. As a bonus, it also sneakily includes actual information about several different types of knots that Knot can make.
Clever wordplay and an unlikely (and adorable) protagonist make this book knot to be missed. (Picture book. 3-7)Pub Date: April 7, 2020
ISBN: 978-0-7352-3080-4
Page Count: 32
Publisher: Dial Books
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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