An epic and accessible adaptation.

ROBIN HOOD

THE SHADOWS OF SHERWOOD FOREST

A retelling of the old legend from Little John’s perspective.

Written with readers who delight in hefty, classic adventure tales in mind, this version draws comprehensively from both medieval sources and standard later editions like Paul Creswick’s Robin Hood (1917) to include the major exploits of Robert Loxley’s outlaw career up to his death, with a teeming cast of familiar characters from King Richard the Lionheart to young Much parading through. The prose, translated from the German, is more formal than faux antique, being free of -iths, -eths, and forsooths. At times it even has a modern cast, although dwarf is frequently used to insult John. Robin Hood himself comes off as the usual sly lover of games and jests, driven both by touchy pride and a strong streak of rob-from-the-rich-and-give-to-the-poor idealism, but his Merry Men are renamed the more serious sounding Brotherhood of Freemen, and Roehrig likewise mildly tweaks some of the other classic characters—notably Marian, who starts off as a child struck temporarily mute after witnessing the murder of her mother and ends up as a strong-willed young lady able to ride a horse, wield weapons, play a lute, and, finally, set her wimple on a prospective husband. Aside from a friendly Jewish merchant, the cast is uniformly Christian and White in presentation.

An epic and accessible adaptation. (Adventure. 13-18)

Pub Date: Oct. 5, 2021

ISBN: 978-1-64690-007-7

Page Count: 350

Publisher: Arctis Books

Review Posted Online: Aug. 16, 2021

Kirkus Reviews Issue: Sept. 1, 2021

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Engrossing, contemplative, and as heart-wrenching as the title promises.

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THEY BOTH DIE AT THE END

What would you do with one day left to live?

In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.

Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).

Pub Date: Sept. 5, 2017

ISBN: 978-0-06-245779-0

Page Count: 384

Publisher: HarperTeen

Review Posted Online: June 5, 2017

Kirkus Reviews Issue: June 15, 2017

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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