Sometimes overly personal yet well researched and comprehensive.
An exploration of the changing face of American evangelicalism through the past several decades.
Alberta, a staff writer for the Atlantic and author of American Carnage, describes the evangelical church as the product of changing times, with various factions of American Protestantism “amalgamating under a shared, if loosely defined, label: ‘evangelicals,’” in the early 1970s. At the time, evangelicals were poised to have a major role in shaping American culture. However, Alberta shows that what was meant as a spiritual movement built around shared values and goals for spreading the gospel soon split apart through political involvement, especially due to the influence of a cadre of charismatic church leaders. The author recognizes two particular periods of cultural turmoil, each of which ushered in the leadership of an unlikely American president. First was the Carter administration, which caused many evangelicals to seriously engage in politics for the first time, resulting in the election of Reagan. Second was the Obama era, marked by expansive cultural changes that brought about “a sudden onset of dread” among the evangelical base. The result was the rise of Trump. Alberta builds his study around interviews with a number of people central to—or at least privy to—the changes in evangelicalism over time. The topic is deeply personal to the author, whose father was a conservative (but largely apolitical) Presbyterian pastor. Alberta lionizes his father while criticizing most of his father’s friends for allowing politics to influence their faith life. “The crisis of American evangelicalism,” the author writes, “comes down to an obsession with…worldly identity.” The author sees this obsession as having weakened Christianity in the United States. Regarding the term evangelical, he believes that today, most non-religious people “are completely and categorically repelled by that word.”
Sometimes overly personal yet well researched and comprehensive.Pub Date: Dec. 5, 2023
ISBN: 9780063226883
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
SEEN & HEARD
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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