adapted by Tim Arnold & illustrated by Tim Arnold ‧ RELEASE DATE: Sept. 30, 1993
While Glen Rounds's version of this favorite (p. 378) is the best in a generation, this one and Bender's (below) each have their own merits. Arnold's discursive text is padded out with rather superfluous explanations, but it reads smoothly and will painlessly stretch reading vocabularies. His precisely cross- hatched illustrations set the tale in the mountains of the American West; the handsome goats are amusingly haughty yet realistic, while the troll is a squat, sturdy little man with pointy nose and ears, resembling a figure carved in wood (he ends up in the river, where he ``sank like a stone and never was heard from again''). Not essential, but an attractive addition. (Folklore/Picture book. 4-8)ver was heard from again.'' Not essential, but an attractive addition. (Folklore/Picture book. 4- 8)
Pub Date: Sept. 30, 1993
ISBN: 0-689-50575-2
Page Count: 32
Publisher: McElderry
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 1993
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by Tim Arnold & illustrated by Tim Arnold
by Andrea Beaty & illustrated by David Roberts ‧ RELEASE DATE: Oct. 1, 2007
A repressive teacher almost ruins second grade for a prodigy in this amusing, if overwritten, tale. Having shown a fascination with great buildings since constructing a model of the Leaning Tower of Pisa from used diapers at age two, Iggy sinks into boredom after Miss Greer announces, throwing an armload of histories and craft projects into the trash, that architecture will be a taboo subject in her class. Happily, she changes her views when the collapse of a footbridge leaves the picnicking class stranded on an island, whereupon Iggy enlists his mates to build a suspension bridge from string, rulers and fruit roll-ups. Familiar buildings and other structures, made with unusual materials or, on the closing pages, drawn on graph paper, decorate Roberts’s faintly retro cartoon illustrations. They add an audience-broadening element of sophistication—as would Beaty’s decision to cast the text into verse, if it did not result in such lines as “After twelve long days / that passed in a haze / of reading, writing and arithmetic, / Miss Greer took the class / to Blue River Pass / for a hike and an old-fashioned picnic.” Another John Lithgow she is not, nor is Iggy another Remarkable Farkle McBride (2000), but it’s always salutary to see young talent vindicated. (Picture book. 6-8)
Pub Date: Oct. 1, 2007
ISBN: 978-0-8109-1106-2
Page Count: 32
Publisher: Abrams
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2007
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by Andrea Beaty ; illustrated by David Roberts
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by Andrea Beaty ; illustrated by David Roberts
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by Andrea Beaty ; illustrated by Dow Phumiruk
by Caroline Adderson ; illustrated by Stéphane Jorisch ‧ RELEASE DATE: July 7, 2020
A rollicking tale of rivalry.
Sweet Street had just one baker, Monsieur Oliphant, until two new confectionists move in, bringing a sugar rush of competition and customers.
First comes “Cookie Concocter par excellence” Mademoiselle Fee and then a pie maker, who opens “the divine Patisserie Clotilde!” With each new arrival to Sweet Street, rivalries mount and lines of hungry treat lovers lengthen. Children will delight in thinking about an abundance of gingerbread cookies, teetering, towering cakes, and blackbird pies. Wonderfully eccentric line-and-watercolor illustrations (with whites and marbled pastels like frosting) appeal too. Fine linework lends specificity to an off-kilter world in which buildings tilt at wacky angles and odd-looking (exclusively pale) people walk about, their pantaloons, ruffles, long torsos, and twiglike arms, legs, and fingers distinguishing them as wonderfully idiosyncratic. Rotund Monsieur Oliphant’s periwinkle complexion, flapping ears, and elongated nose make him look remarkably like an elephant while the women confectionists appear clownlike, with exaggerated lips, extravagantly lashed eyes, and voluminous clothes. French idioms surface intermittently, adding a certain je ne sais quoi. Embedded rhymes contribute to a bouncing, playful narrative too: “He layered them and cherried them and married people on them.” Tension builds as the cul de sac grows more congested with sweet-makers, competition, frustration, and customers. When the inevitable, fantastically messy food fight occurs, an observant child finds a sweet solution amid the delicious detritus.
A rollicking tale of rivalry. (Picture book. 4-8 )Pub Date: July 7, 2020
ISBN: 978-1-101-91885-2
Page Count: 44
Publisher: Tundra Books
Review Posted Online: April 7, 2020
Kirkus Reviews Issue: May 1, 2020
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by Caroline Adderson ; illustrated by Roman Muradov
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by Caroline Adderson ; illustrated by Alice Carter
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