An imaginative and tender novel about assisted suicide.
In Castano’s literary novel, a woman intending to end her life spends a few days in a mostly abandoned shore town.
Wildwood, New Jersey no longer exists…at least, not as it once it did. Destroyed by a hurricane in 2029, it was rebuilt, only to be knocked down for good by a second storm in 2030. When 22-year-old Maya Valencia disembarks at the Wildwood bus terminal in the winter of 2035, she finds something akin to a ghost town: “Only every fourth or fifth streetlamp worked, if barely. No ambient glimmer from front porches or second-floor residences. Boards nailed over most windows. Uncle Bill’s Pancake House, bashed and looted.” She takes a room at the Sea Gull Motel, and the next morning she visits the town’s infamous Elea Clinic, known for its assisted suicide procedures. Maya suffers from multiple sclerosis, and though she hates the thought of leaving her younger sister, Celeste, alone to fend for herself, she knows Celeste will be saddled with her medical bills if she allows the disease to progress. The catch: The law requires the patient to spend four nights in New Jersey before undergoing the procedure. As Maya rides out her final days at the Sea Gull, she encounters a number of people in similar situations, including Glenn Haversham, a middle-aged failed “businessman” with a history of aggrieved partners and cheated clients trailing behind him. Glenn’s looming suicide seems like it might be an act of sheer exhaustion, but he and Maya find common ground. In this ghost town filled with soon-to-be ghosts, the normal routines of life are pulled away just enough to perhaps allow Maya to find something worth living for. Castano’s Wildwood is a truly imaginative netherworld, complete with a Death District where people can settle their affairs. Glenn encounters the former Dollar General, now “‘Parentalia Advisors—Conclusionary Consultants’,” offering “‘Wills-Insurance Advisement-Asset Transfers-Estate Planning-Tax Guidance.’ An all-you-can-eat-buffet of administrative chores.” Short but richly drawn, this is a beautiful rumination on all the things, good and bad, we leave behind.
An imaginative and tender novel about assisted suicide.Pub Date: June 3, 2024
ISBN: 9798988023432
Page Count: 200
Publisher: New Meridian Arts
Review Posted Online: May 3, 2024
Review Program: Kirkus Indie
BOOK REVIEW
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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