An imaginative and tender novel about assisted suicide.
In Castano’s literary novel, a woman intending to end her life spends a few days in a mostly abandoned shore town.
Wildwood, New Jersey no longer exists…at least, not as it once it did. Destroyed by a hurricane in 2029, it was rebuilt, only to be knocked down for good by a second storm in 2030. When 22-year-old Maya Valencia disembarks at the Wildwood bus terminal in the winter of 2035, she finds something akin to a ghost town: “Only every fourth or fifth streetlamp worked, if barely. No ambient glimmer from front porches or second-floor residences. Boards nailed over most windows. Uncle Bill’s Pancake House, bashed and looted.” She takes a room at the Sea Gull Motel, and the next morning she visits the town’s infamous Elea Clinic, known for its assisted suicide procedures. Maya suffers from multiple sclerosis, and though she hates the thought of leaving her younger sister, Celeste, alone to fend for herself, she knows Celeste will be saddled with her medical bills if she allows the disease to progress. The catch: The law requires the patient to spend four nights in New Jersey before undergoing the procedure. As Maya rides out her final days at the Sea Gull, she encounters a number of people in similar situations, including Glenn Haversham, a middle-aged failed “businessman” with a history of aggrieved partners and cheated clients trailing behind him. Glenn’s looming suicide seems like it might be an act of sheer exhaustion, but he and Maya find common ground. In this ghost town filled with soon-to-be ghosts, the normal routines of life are pulled away just enough to perhaps allow Maya to find something worth living for. Castano’s Wildwood is a truly imaginative netherworld, complete with a Death District where people can settle their affairs. Glenn encounters the former Dollar General, now “‘Parentalia Advisors—Conclusionary Consultants’,” offering “‘Wills-Insurance Advisement-Asset Transfers-Estate Planning-Tax Guidance.’ An all-you-can-eat-buffet of administrative chores.” Short but richly drawn, this is a beautiful rumination on all the things, good and bad, we leave behind.
An imaginative and tender novel about assisted suicide.Pub Date: June 3, 2024
ISBN: 9798988023432
Page Count: 200
Publisher: New Meridian Arts
Review Posted Online: May 3, 2024
Review Program: Kirkus Indie
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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