The poetics of restraint could not be better displayed
Timing is everything.
Imagine this classic slapstick scene: Two repairmen have to carry a pane of glass across a busy street. Car after car whizzes past and, somehow, swerves around them. The whole scene is about waiting for the glass to break. Egan’s latest Dodsworth book is a lot like that. “We should be on our best behavior here,” Dodsworth tells his duck. He warns the duck not to play ball around priceless vases. He warns the duck not to play with a bottle of ink. “The duck,” the text notes, had always wanted to play with ink.” The duck does not crash into the pottery. The duck doesn’t spill any ink, and a server in a restaurant tells Dodsworth, “Arigato. Your duck is very well behaved.” As in classic slapstick, though, something has to give. At the climax of the story, the duck swings on a rope, springs off an awning and knocks over a tub of goldfish. It’s worth the wait. When the duck bounces across a row of drums, precisely in time to the music, it’s a very satisfying moment. But the scene really works because of what happens next: The duck walks quietly across the courtyard and hands a toy to a little girl. She had thought it was lost forever. That, too, is worth the wait.
The poetics of restraint could not be better displayed . (Early reader. 6-9)Pub Date: April 16, 2013
ISBN: 978-0-547-87745-7
Page Count: 48
Publisher: Houghton Mifflin
Review Posted Online: Feb. 26, 2013
Kirkus Reviews Issue: March 15, 2013
Multiple taps transform a giggling block of wood in Geppetto’s workshop into a skinny, loose jointed puppet that suddenly...
Unusually brisk special effects animate this relatively less satiric but equally amusing adaptation of the classic tale.
Multiple taps transform a giggling block of wood in Geppetto’s workshop into a skinny, loose jointed puppet that suddenly delivers a Bronx cheer and then whirls away on a long series of misadventures. These culminate in a final change into a flesh-and-blood boy with help from a fingertip “paintbrush.” Quick and responsive touch- or tilt-activated features range from controllable marionettes, Pinocchio’s tattletale nose and Fire-Eater’s explosive sneeze to a movable candle that illuminates both Geppetto in the fish’s dark belly and the accompanying block of text. Even the thumbnail page images of the index (which opens any time with a shake of the tablet) tumble about, somehow without falling out of order. Though transitions are almost nonexistent in the episodic plot, the text is both substantial enough to have a definite presence and artfully placed in and around Conversi’s brightly colored settings and toylike figures. Text is available in English or Italian with a clear, understated optional audio narration backed by unobtrusive music. A link on the credits page leads to downloadable coloring sheets on the producer’s website.Pub Date: March 17, 2011
ISBN: N/A
Page Count: -
Publisher: Elastico srl
Review Posted Online: July 20, 2011
Kirkus Reviews Issue: Aug. 15, 2011
BOOK REVIEW
BOOK REVIEW
Innocuous adventuring on the smallest of scales.
The Mouse and the Motorcycle (1965) upgrades to The Mice and the Rolls-Royce.
In Windsor Castle there sits a “dollhouse like no other,” replete with working plumbing, electricity, and even a full library of real, tiny books. Called Queen Mary’s Dollhouse, it also plays host to the Whiskers family, a clan of mice that has maintained the house for generations. Henry Whiskers and his cousin Jeremy get up to the usual high jinks young mice get up to, but when Henry’s little sister Isabel goes missing at the same time that the humans decide to clean the house up, the usually bookish big brother goes on the adventure of his life. Now Henry is driving cars, avoiding cats, escaping rats, and all before the upcoming mouse Masquerade. Like an extended version of Beatrix Potter’s The Tale of Two Bad Mice (1904), Priebe keeps this short chapter book constantly moving, with Duncan’s peppy art a cute capper. Oddly, the dollhouse itself plays only the smallest of roles in this story, and no factual information on the real Queen Mary’s Dolls’ House is included at the tale’s end (an opportunity lost).
Innocuous adventuring on the smallest of scales. (Fantasy. 6-8)Pub Date: Jan. 3, 2017
ISBN: 978-1-4814-6575-5
Page Count: 144
Publisher: Aladdin
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
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