Only hints of the deadpan humor that made Egan’s Serious Farm (2003) and other tales so droll come through here. The pie on Mrs. Brown’s windowsill vanishes after witnesses see Cardigan the moose stop for a sniff. The matter comes to trial and Cardigan is declared guilty by everyone except the judge, who not only points out the lack of direct evidence, but, after Cardigan moves about the courtroom knocking over a statue, getting tangled up in a flag, and even upending the judge with his antlers, moves the court over to Mrs. Brown’s, where pieces of the pie are still visible in the bushes. It now being obvious what happened, Cardigan is fêted by his contrite former accusers. But as Cardigan’s antlers in the sedate, James Marshall–esque pictures are rather dainty, and sometimes not even placed near whatever they’ve just supposedly knocked into, the joke doesn’t carry over into the art. Not Egan at his best, though this may have some potential as a discussion starter on the idea of “innocent until proven guilty.” (Picture book. 6-8)
Pub Date: Aug. 1, 2004
ISBN: 0-618-40237-3
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2004
In this comfortably predictable variation on the “obnoxious guest” theme, a household consisting of one woman, Irene, and a whole lot of dogs, cats and other pets welcomes—at first—a shivering duck named Max who decided to stay behind when the rest of his flock migrated for the winter. Soon commandeering both the TV remote and the kitchen, Max has definitely outstayed his welcome by spring—but the general relief at his parting turns to boredom, and then to brief delight followed by dismay when he shows up at the doorstep again that autumn with dozens of fellow ducks. In fluidly drawn cartoon scenes, Urbanovic strews a spacious domestic setting with a multi-species array of individualized residents living in more or less peaceful coexistence. In contrast to their panic, Irene responds calmly to the climactic incursion, offering Max a hug and a warm greeting. There’s more comedy, not to mention a sense of closure, in Sandy Asher’s similar Too Many Frogs!, illus by Keith Graves (2005), but the big-hearted open-door policy here will appeal to a wide range of readers. (Picture book. 6-8)
Pub Date: Feb. 1, 2007
ISBN: 0-06-121438-8
Page Count: 32
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2006
The boy-and-beetle friendship first introduced in Broach’s charming novel Masterpiece (2010) is now the cornerstone of an illustrated chapter-book series.
James is a boy, and Marvin is a beetle, but with the help of Marvin’s drawing skills, they find a way to communicate. James’ mom worries that her son’s best friend is an insect, but tiny Marvin has the opposite worry—that James will find human friends who supplant him. When James takes off on a beach vacation, Marvin frets even more, but he manages to have a few adventures of his own, like getting trapped inside Mr. Pompaday’s electric pencil sharpener with his beetle cousin Elaine. At first it’s entertaining to frolic among the shavings, but when an unanticipated pencil clogs the exit hole, there’s big trouble. Murphy clearly revels in the Borrowers-style perspective of the beetles’ miniature world: In their under-sink home, Marvin’s drawing table is a die, and a propped-up birthday-cake candle dwarfs the family. The dramatic, blow-by-blow pencil-sharpener incident dominates the story, but it circles back to friendship. James really did miss Marvin after all, and a souvenir seashell (the perfect beetle hideout!) seals the deal. This winsome series debut is both a sweet story of cross-species friendship and a sobering new way to look at pencil sharpeners. (Fantasy. 6-8)
Pub Date: Feb. 25, 2014
ISBN: 978-0-8050-9190-8
Page Count: 112
Publisher: Christy Ottaviano/Henry Holt
Review Posted Online: Dec. 17, 2013
Kirkus Reviews Issue: Jan. 15, 2014
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