Bravo, Nate! (Fiction. 8-13)
A story of Broadway dreams tailor-made for the younger side of the Glee audience.
Jankburg, Penn., has always been too small-town for 13-year-old Nate Foster’s Broadway-sized dreams. Jocks and God rule in the Foster house, which is good news for Anthony, Nate’s older brother, and bad news for a boy with a soft spot for jazz hands and show tunes. Thankfully, Nate’s best friend, Libby, shares his love of the Great White Way. When Libby learns of an upcoming audition for a Broadway-musical version of E.T., it’s too good an opportunity to pass up. With Libby as his cover, the two hatch a plan that will have Nate to New York and back with the role of Elliott firmly in hand before anyone even knows he’s gone missing. Alas, things rarely go according to plan. Nate is a quirky and endearing leading man from the start, and anyone who has ever felt out of place will easily identify with him. It’s a joy to watch him fall head over heels for a city that couldn’t care less about him—in the best possible way. Unfortunately, the cartoonish cover art and a predominantly lighthearted beginning may mislead some readers. Federle’s debut addresses—deftly—big and solemn issues in the second half of the novel, particularly with regard to family, sexuality and religion.
Bravo, Nate! (Fiction. 8-13)Pub Date: Feb. 5, 2013
ISBN: 978-1-4424-4689-2
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: Dec. 11, 2012
Kirkus Reviews Issue: Jan. 1, 2013
Easy to read and strong on sibling devotion, with frustratingly mixed messages about personal responsibility.
A boy works desperately to keep his sick little brother safe.
Twelve-year-old Timothy has a probation officer, a court-appointed psychologist, and a yearlong sentence of house arrest. He also has a 9-month-old brother who breathes through a trach tube that frequently clogs. Heavy oxygen tanks and a suction machine as loud as a jackhammer are their everyday equipment. Timothy’s crime: charging $1,445 on a stolen credit card for a month of baby Levi’s medicine, which his mother can’t afford, especially since his father left. The text shows illness, poverty, and hunger to be awful but barely acknowledges the role of, for example, weak health insurance, odd considering the nature of Timothy’s crime. The family has nursing help but not 24/7; the real house arrest in Timothy’s life isn’t a legal pronouncement, it’s the need to keep Levi breathing. Sometimes Timothy’s the only person home to do so. His court sentence requires keeping a journal; the premise that Holt’s straightforward free-verse poems are Timothy’s writing works well enough, though sometimes the verses read like immediate thoughts rather than post-event reflection. A sudden crisis at the climax forces Timothy into criminal action to save Levi’s life, but literally saving his brother from death doesn’t erase the whiff of textual indictment for lawbreaking. Even Mom equivocates, which readers may find grievously unjust.
Easy to read and strong on sibling devotion, with frustratingly mixed messages about personal responsibility. (Verse fiction. 9-13)Pub Date: Oct. 6, 2015
ISBN: 978-1-4521-3477-2
Page Count: 304
Publisher: Chronicle Books
Review Posted Online: July 14, 2015
Kirkus Reviews Issue: Aug. 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
If it were a Golden Age comic, this tale of ridiculous science, space dogs and humanoid aliens with flashlights in their hands might not be bad. Alas... Number Four is a fugitive from the planet Lorien, which is sloppily described as both "hundreds of lightyears away" and "billions of miles away." Along with eight other children and their caretakers, Number Four escaped from the Mogadorian invasion of Lorien ten years ago. Now the nine children are scattered on Earth, hiding. Luckily and fairly nonsensically, the planet's Elders cast a charm on them so they could only be killed in numerical order, but children one through three are dead, and Number Four is next. Too bad he's finally gained a friend and a girlfriend and doesn't want to run. At least his newly developing alien powers means there will be screen-ready combat and explosions. Perhaps most idiotic, "author" Pittacus Lore is a character in this fiction—but the first-person narrator is someone else entirely. Maybe this is a natural extension of lightly hidden actual author James Frey's drive to fictionalize his life, but literature it ain't. (Science fiction. 11-13)
Pub Date: Aug. 17, 2010
ISBN: 978-0-06-196955-3
Page Count: 448
Publisher: Harper/HarperCollins
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Aug. 1, 2010
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