Action-adventure for a Christian evangelical audience.
With the fourth in The End series, LaHaye and Parshall (Brink of Chaos, 2012, etc.) continue to translate apocalyptic theology into action-adventure fiction.
The rapture has occurred. Christian believers have been taken to heaven. Now, Satan seeks to subdue the world, and his evil agent is the Global Alliance. The good folk left behind, now Christians, are resisting. That’s the theology piece, but the book reads like a spy novel set in the immediate future and using Revelations as a plot outline. Chapters are short, and settings jump around the globe as the narrative follows multiple characters. The protagonist is the head of the Remnant, Ethan March, subject to visions and recipient of miracles. The antagonist is Alexander Colliquin, head of the Alliance. Characters, however, are one-dimensional, although there’s a chaste love story between March and Rivka Reuban, former Mossad agent. There are odd dialogue juxtapositions—a believer is confronted by a murderous pimp in a Hong Kong back alley and threatened with death, only to respond "I’ve settled up my life with Christ. I know where I’m going. Do you?" The issues at hand are, first, the refusal of believers to submit to "BID-Tag" implants, laser-readable identity chips, and second, the Alliance’s effort to subvert the Internet to its own purposes—mind control—by taking over the United States’ vast security mainframe infrastructure, particularly a facility in Utah. Evil machinations in Washington thread through the story, including an assassination, but action zigzags around the world. With the action moving quickly, the narrative is constructed to suggest the apocalypse is near, and so there are references to current events. The writing is prosaic, and the theology is fundamentalist rather than mystical. As a character notes at book's end, the prophesied Tribulation is yet unfinished, and so LaHaye and Parshall have more to write.
Action-adventure for a Christian evangelical audience.Pub Date: Feb. 4, 2014
ISBN: 978-0-310-33464-4
Page Count: 352
Publisher: Zondervan
Review Posted Online: Dec. 20, 2013
Kirkus Reviews Issue: Jan. 1, 2014
These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.
Pub Date: Jan. 1, 1942
ISBN: 0060652934
Page Count: 53
Publisher: Macmillan
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: June 15, 1943
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
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