Action-adventure for a Christian evangelical audience.
With the fourth in The End series, LaHaye and Parshall (Brink of Chaos, 2012, etc.) continue to translate apocalyptic theology into action-adventure fiction.
The rapture has occurred. Christian believers have been taken to heaven. Now, Satan seeks to subdue the world, and his evil agent is the Global Alliance. The good folk left behind, now Christians, are resisting. That’s the theology piece, but the book reads like a spy novel set in the immediate future and using Revelations as a plot outline. Chapters are short, and settings jump around the globe as the narrative follows multiple characters. The protagonist is the head of the Remnant, Ethan March, subject to visions and recipient of miracles. The antagonist is Alexander Colliquin, head of the Alliance. Characters, however, are one-dimensional, although there’s a chaste love story between March and Rivka Reuban, former Mossad agent. There are odd dialogue juxtapositions—a believer is confronted by a murderous pimp in a Hong Kong back alley and threatened with death, only to respond "I’ve settled up my life with Christ. I know where I’m going. Do you?" The issues at hand are, first, the refusal of believers to submit to "BID-Tag" implants, laser-readable identity chips, and second, the Alliance’s effort to subvert the Internet to its own purposes—mind control—by taking over the United States’ vast security mainframe infrastructure, particularly a facility in Utah. Evil machinations in Washington thread through the story, including an assassination, but action zigzags around the world. With the action moving quickly, the narrative is constructed to suggest the apocalypse is near, and so there are references to current events. The writing is prosaic, and the theology is fundamentalist rather than mystical. As a character notes at book's end, the prophesied Tribulation is yet unfinished, and so LaHaye and Parshall have more to write.
Action-adventure for a Christian evangelical audience.Pub Date: Feb. 4, 2014
ISBN: 978-0-310-33464-4
Page Count: 352
Publisher: Zondervan
Review Posted Online: Dec. 20, 2013
Kirkus Reviews Issue: Jan. 1, 2014
Hoffman (The Red Garden, 2011, etc.) births literature from tragedy: the destruction of Jerusalem's Temple, the siege of Masada and the loss of Zion.
This is a feminist tale, a story of strong, intelligent women wedded to destiny by love and sacrifice. Told in four parts, the first comes from Yael, daughter of Yosef bar Elhanan, a Sicarii Zealot assassin, rejected by her father because of her mother's death in childbirth. It is 70 CE, and the Temple is destroyed. Yael, her father, and another Sicarii assassin, Jachim ben Simon, and his family flee Jerusalem. Hoffman's research renders the ancient world real as the group treks into Judea's desert, where they encounter Essenes, search for sustenance and burn under the sun. There too Jachim and Yael begin a tragic love affair. At Masada, Yael is sent to work in the dovecote, gathering eggs and fertilizer. She meets Shirah, her daughters, and Revka, who narrates part two. Revka's husband was killed when Romans sacked their village. Later, her daughter was murdered. At Masada, caring for grandsons turned mute by tragedy, Revka worries over her scholarly son-in-law, Yoav, now consumed by vengeance. Aziza, daughter of Shirah, carries the story onward. Born out of wedlock, Aziza grew up in Moab, among the people of the blue tunic. Her passion and curse is that she was raised as a warrior by her foster father. In part four, Shirah tells of her Alexandrian youth, the cherished daughter of a consort of the high priests. Shirah is a keshaphim, a woman of amulets, spells and medicine, and a woman connected to Shechinah, the feminine aspect of God. The women are irretrievably bound to Eleazar ben Ya'ir, Masada's charismatic leader; Amram, Yael's brother; and Yoav, Aziza's companion and protector in battle. The plot is intriguingly complex, with only a single element unresolved. An enthralling tale rendered with consummate literary skill.
Pub Date: Oct. 4, 2011
ISBN: 978-1-4516-1747-4
Page Count: 512
Publisher: Scribner
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
Constructed with delicacy, lyricism, and care, Hertmans’ novel still feels occasionally static.
A Christian woman and a Jewish man fall in love in medieval France.
In 1088, a Christian girl of Norman descent falls in love with the son of a rabbi. They run away together, to disastrous effect: Her father sends knights after them, and though they flee to a small southern village where they spend a few happy years, their budding family is soon decimated by a violent wave of First Crusaders on their way to Jerusalem. The girl, whose name becomes Hamoutal when she converts to Judaism, winds up roaming the world. Hertmans’ (War and Turpentine, 2016, etc.) latest novel is based on a true story: The Cairo Genizah, a trove of medieval manuscripts preserved in an Egyptian synagogue, contained an account of Hamoutal’s plight. Hamoutal makes up about half of Hertmans’ novel; the other half is consumed by Hertmans’ own interest in her story. Whenever he can, he follows her journey: from Rouen, where she grew up, to Monieux, where she and David Todros—her Jewish husband—made a brief life for themselves, and all the way to Cairo, and back. “Knowing her life story and its tragic end,” Hertmans writes, “I wish I could warn her of what lies ahead.” The book has a quiet intimacy to it, and in his descriptions of landscape and travel, Hertmans’ prose is frequently lovely. In Narbonne, where David’s family lived, Hertmans describes “the cool of the paving stones in the late morning, the sound of doves’ wings flapping in the immaculate air.” But despite the drama of Hamoutal’s story, there is a static quality to the book, particularly in the sections where Hertmans describes his own travels. It’s an odd contradiction: Hertmans himself moves quickly through the world, but his book doesn’t quite move quickly enough.
Constructed with delicacy, lyricism, and care, Hertmans’ novel still feels occasionally static.Pub Date: Feb. 4, 2020
ISBN: 978-1-5247-4708-4
Page Count: 304
Publisher: Pantheon
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
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