by Tim McCanna ; illustrated by Richard Smythe ‧ RELEASE DATE: Aug. 4, 2020
Definitely a rousingly rumbly ramble, but the seams are rough enough to trip over.
Three young dinosaurs enjoy a percussive prehistoric perambulation.
Modeled on their Watersong (2017) McCanna pairs a text composed nearly exclusively of sound-effect words to Smythe’s bright and sprightly views of a triceratops, an ankylosaurus, and a generic sauropod, all sporting smiles, googly eyes, and hides in glowing hues. They cross a log over a stream, lumber through a rocky landscape as thunder rumbles, and tumble into a dark cave to escape the eruption of a nearby volcano. Unlike the previous outing, the sounds sometimes seem oddly unsuited to the action on the page. It’s hard to figure, for instance, how “clank clack // crinkle crackle / clunk” sounds like an ankylosaurus rolling down a steep hill, or “Bang bowl / clang roll” evokes a boulder doing the same. (Maybe the author had a storyline involving robots in mind and the illustrator took an unexpected turn?) Still, there’s never a dull moment, until the cave opens out at its other end to reveal parental dinos in a peaceful setting: Ahh, “Safe and sound.” The author suddenly turns voluble, adding a closing page of remarks about dinosaurs, magma, the three kinds of rocks, what paleontologists do, and other scattered topics at least tangentially related to the mise en scène.
Definitely a rousingly rumbly ramble, but the seams are rough enough to trip over. (Picture book. 5-7)Pub Date: Aug. 4, 2020
ISBN: 978-1-5344-3002-0
Page Count: 32
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: April 11, 2020
Kirkus Reviews Issue: May 1, 2020
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by Jonathan Stutzman ; illustrated by Jay Fleck ‧ RELEASE DATE: March 5, 2019
Wins for compassion and for the refusal to let physical limitations hold one back.
With such short arms, how can Tiny T. Rex give a sad friend a hug?
Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.
Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)Pub Date: March 5, 2019
ISBN: 978-1-4521-7033-6
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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by Jonathan Stutzman ; illustrated by Jay Fleck
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by Mo Willems ; illustrated by Mo Willems ‧ RELEASE DATE: Oct. 25, 2016
Laugh-out-loud fun for all.
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Hilarious complications ensue when Nanette’s mom gives her the responsibility of buying the family baguette.
She sets out on her errand and encounters lots of distractions along the way as she meets and greets Georgette, Suzette, Bret with his clarinet, Mr. Barnett and his pet, Antoinette. But she remembers her mission and buys the baguette from Juliette the baker. And oh, it is a wonderful large, warm, aromatic hunk of bread, so Nanette takes a taste and another and more—until there is nothing left. Maybe she needs to take a jet to Tibet. But she faces her mother and finds understanding, tenderness, and a surprise twist. Willems is at his outlandish best with line after line of “ettes” and their absurd rhymes, all the while demonstrating a deep knowledge of children’s thought processes. Nanette and the entire cast of characters are bright green frogs with very large round eyes, heavily outlined in black and clad in eccentric clothing and hats. A highly detailed village constructed of cardboard forms the background for Nanette’s adventures. Her every emotion explodes all over the pages in wildly expressive, colorful vignettes and an eye-popping use of emphatic display type. The endpapers follow the fate of the baguette from fresh and whole to chewed and gone. Demands for encores will surely follow.
Laugh-out-loud fun for all. (Picture book. 3-6)Pub Date: Oct. 25, 2016
ISBN: 978-1-4847-2286-2
Page Count: 40
Publisher: Hyperion
Review Posted Online: Aug. 1, 2016
Kirkus Reviews Issue: Sept. 1, 2016
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