Definitely a rousingly rumbly ramble, but the seams are rough enough to trip over.

DINOSONG

Three young dinosaurs enjoy a percussive prehistoric perambulation.

Modeled on their Watersong (2017) McCanna pairs a text composed nearly exclusively of sound-effect words to Smythe’s bright and sprightly views of a triceratops, an ankylosaurus, and a generic sauropod, all sporting smiles, googly eyes, and hides in glowing hues. They cross a log over a stream, lumber through a rocky landscape as thunder rumbles, and tumble into a dark cave to escape the eruption of a nearby volcano. Unlike the previous outing, the sounds sometimes seem oddly unsuited to the action on the page. It’s hard to figure, for instance, how “clank clack // crinkle crackle / clunk” sounds like an ankylosaurus rolling down a steep hill, or “Bang bowl / clang roll” evokes a boulder doing the same. (Maybe the author had a storyline involving robots in mind and the illustrator took an unexpected turn?) Still, there’s never a dull moment, until the cave opens out at its other end to reveal parental dinos in a peaceful setting: Ahh, “Safe and sound.” The author suddenly turns voluble, adding a closing page of remarks about dinosaurs, magma, the three kinds of rocks, what paleontologists do, and other scattered topics at least tangentially related to the mise en scène.

Definitely a rousingly rumbly ramble, but the seams are rough enough to trip over. (Picture book. 5-7)

Pub Date: Aug. 4, 2020

ISBN: 978-1-5344-3002-0

Page Count: 32

Publisher: Paula Wiseman/Simon & Schuster

Review Posted Online: April 12, 2020

Kirkus Reviews Issue: May 1, 2020

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A humorous, meandering approach to a life lesson about leading every day with benevolence.

A NEW DAY

To the consternation of the other six days of the week, Sunday quits in protest, tired of being unappreciated for her consistent delivery of a weekly “beautiful free day.”

Sunday’s abrupt decision prompts the others to look for her replacement with an advertisement inviting auditions before the remaining six days. The competition quickly grows increasingly fierce as ideas are broached for DogDay, Big-BurpDay, PieDay, Band-AidDay, and, ridiculously, FirepoleSlidingIntoPoolsOfCottonCandyDay. Amid all this boisterous and frenzied rivalry, a little girl approaches the misunderstood Sunday with a small plant to say thank you and to suggest “simply a nice day. A day when people can show more kindness to each other.” The child’s humble gratitude is enough for Sunday to return to her important weekly position and to prompt all the days to value kindness as the key to each day’s possibilities. Bright art captures the mania, with cotton-candy hues representing each of the anthropomorphic days. Though undeniably comical as it unfolds in busy cartoon illustrations and speech balloons, the drawn-out, nonsensical, and unexpected course the narrative takes may be a stretch for youngsters who cannot always distinguish among days. Kindness as the ingredient for achieving a harmonious week is nevertheless a valuable message, however circuitously expressed. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 50% of actual size.)

A humorous, meandering approach to a life lesson about leading every day with benevolence. (Picture book. 5-7)

Pub Date: March 2, 2021

ISBN: 978-0-525-55424-0

Page Count: 48

Publisher: Dial Books

Review Posted Online: Nov. 27, 2020

Kirkus Reviews Issue: Dec. 15, 2020

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Laugh-out-loud fun for all.

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NANETTE'S BAGUETTE

Hilarious complications ensue when Nanette’s mom gives her the responsibility of buying the family baguette.

She sets out on her errand and encounters lots of distractions along the way as she meets and greets Georgette, Suzette, Bret with his clarinet, Mr. Barnett and his pet, Antoinette. But she remembers her mission and buys the baguette from Juliette the baker. And oh, it is a wonderful large, warm, aromatic hunk of bread, so Nanette takes a taste and another and more—until there is nothing left. Maybe she needs to take a jet to Tibet. But she faces her mother and finds understanding, tenderness, and a surprise twist. Willems is at his outlandish best with line after line of “ettes” and their absurd rhymes, all the while demonstrating a deep knowledge of children’s thought processes. Nanette and the entire cast of characters are bright green frogs with very large round eyes, heavily outlined in black and clad in eccentric clothing and hats. A highly detailed village constructed of cardboard forms the background for Nanette’s adventures. Her every emotion explodes all over the pages in wildly expressive, colorful vignettes and an eye-popping use of emphatic display type. The endpapers follow the fate of the baguette from fresh and whole to chewed and gone. Demands for encores will surely follow.

Laugh-out-loud fun for all. (Picture book. 3-6)

Pub Date: Oct. 25, 2016

ISBN: 978-1-4847-2286-2

Page Count: 40

Publisher: Hyperion

Review Posted Online: Aug. 2, 2016

Kirkus Reviews Issue: Sept. 1, 2016

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