A wealth of eye-popping information presented in a buoyantly irreverent style.
O’Hearn, a tech-industry insider, exposes the unseemly underbelly of social media.
In this entertaining and edifying “collection of shards and shreds and conspiratorial diatribes,” the author takes readers on an expert tour of the “amusing, dreadful world of social media.” O’Hearn worked at a tech startup—he gives it the fictitious name Cutlet—where he was charged with leading “algorithmic recommendation systems, push notification infrastructure, and personalized social feeds.” He was involved in all kinds of user manipulations—the blatantly dishonest engineering of user engagement. (“The users of Cutlet were my avatars, my puppets. I was a social scientist carrying out experiments. I was free to manipulate the app’s small audience without anyone knowing who I was, what I was doing, or what I was trying to accomplish.”) The author details his own misdeeds with impressive candor and discusses “social media iniquity” in more general terms; his biggest target is the “Instagram underworld” and the ways in which the popular app tricks its users into buying ad space. O’Hearn thoughtfully considers the deleterious impact of the internet—which, in his view, “robs life of meaning” (especially in the case of its youngest users)—and the “purely nihilistic” cosmos of social media influencers. This is a wide-ranging assemblage of essays written with verve, insight, and technical authority; as a software engineer, the author is uniquely positioned to explain, in extraordinary and largely accessible detail, the nuts and bolts of the internet. Additionally, he supplies a fascinating treatise on screen addiction and the ways in which its awful effects can be mitigated, such as the aggressive limitation of screen time for younger users. This is a startling read—humorous, but often discomfiting and always deeply informative.
A wealth of eye-popping information presented in a buoyantly irreverent style.Pub Date: March 2, 2025
ISBN: 9798992468113
Page Count: 430
Publisher: Luscious Ventures
Review Posted Online: April 29, 2025
Kirkus Reviews Issue: June 15, 2025
Review Program: Kirkus Indie
A pleasure for fans of old-school historical narratives.
Avuncular observations on matters historical from the late popularizer of the past.
McCullough made a fine career of storytelling his way through past events and the great men (and occasional woman) of long-ago American history. In that regard, to say nothing of his eschewing modern technology in favor of the typewriter (“I love the way the bell rings every time I swing the carriage lever”), he might be thought of as belonging to a past age himself. In this set of occasional pieces, including various speeches and genial essays on what to read and how to write, he strikes a strong tone as an old-fashioned moralist: “Indifference to history isn’t just ignorant, it’s rude,” he thunders. “It’s a form of ingratitude.” There are some charming reminiscences in here. One concerns cajoling his way into a meeting with Arthur Schlesinger in order to pitch a speech to presidential candidate John F. Kennedy: Where Richard Nixon “has no character and no convictions,” he opined, Kennedy “is appealing to our best instincts.” McCullough allows that it wasn’t the strongest of ideas, but Schlesinger told him to write up a speech anyway, and when it got to Kennedy, “he gave a speech in which there was one paragraph that had once sentence written by me.” Some of McCullough’s appreciations here are of writers who are not much read these days, such as Herman Wouk and Paul Horgan; a long piece concerns a president who’s been largely lost in the shuffle too, Harry Truman, whose decision to drop the atomic bomb on Japan McCullough defends. At his best here, McCullough uses history as a way to orient thinking about the present, and with luck to good ends: “I am a short-range pessimist and a long-range optimist. I sincerely believe that we may be on the way to a very different and far better time.”
A pleasure for fans of old-school historical narratives.Pub Date: Sept. 16, 2025
ISBN: 9781668098998
Page Count: 208
Publisher: Simon & Schuster
Review Posted Online: June 26, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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